"6 Piano Pieces, Op. 118: Intermezzo In A Minor: Allegro Non Assai, Ma Molto Appassionato" by Idil Biret, Johannes Brahms was released on December 18, 1995. The duration of 6 Piano Pieces, Op. 118: Intermezzo In A Minor: Allegro Non Assai, Ma Molto Appassionato is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. 6 Piano Pieces, Op. 118: Intermezzo In A Minor: Allegro Non Assai, Ma Molto Appassionato's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Schumann, R.: Fantasiestucke, Op. 12 / Brahms: Klavierstucke, Op. 118". In this album, this song's track order is #23. In terms of popularity, 6 Piano Pieces, Op. 118: Intermezzo In A Minor: Allegro Non Assai, Ma Molto Appassionato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Piano Pieces, Op. 118: Intermezzo In A Minor: Allegro Non Assai, Ma Molto Appassionato by Idil Biret, Johannes Brahms having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Idil Biret, Philharmonia Orchestra, James Loughran | D Minor | 3 | 7A | 94 BPM | ||
Carnaval, Op. 9: No. 12. Chopin | Robert Schumann, Boris Giltburg | C Major | 1 | 8B | 77 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 1 Nar ronnen blommar (When the Rowan Blossoms) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 75 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Album for the Young, Op. 39: No. 10. Polka | Pyotr Ilyich Tchaikovsky, Idil Biret | F Major | 0 | 7B | 121 BPM | ||
Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Vernon Handley, London Philharmonic Orchestra | A Minor | 2 | 8A | 130 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 69 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
24 Preludes, Op. 11: No. 15 in D-Flat Major | Alexander Scriabin, Evgeny Zarafiants | D♭ Major | 0 | 3B | 69 BPM |
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