Jean-Baptiste Singelee, Bruno Canino, Sassofoni Accademia Quartet's ' "Tenor Saxophone Concerto, Op. 57" was released on its scheduled release date, January 1, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Singelee: Solo De Concert Nos. 3-7 / Duo Concertant / Fantaisies". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Italy. Based on our statistics, Tenor Saxophone Concerto, Op. 57's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Tenor Saxophone Concerto, Op. 57 by Jean-Baptiste Singelee, Bruno Canino, Sassofoni Accademia Quartet having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etude No. 4 in a | Cyrille Rose, John Walker, Christopher Hill and John Walker | F♯ Major | 6 | 2B | 175 BPM | ||
Ciudades: III. Addis Abeba | Guillermo Lago, Fukio Ensemble | G Major | 4 | 9B | 101 BPM | ||
Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): I. Sinfonia | Igor Stravinsky, Anthony Marwood, Thomas Adès | D Minor | 2 | 7A | 100 BPM | ||
7 Preludes from 24 Preludes, Op. 34 (Arr. Strakhov for Viola & Piano): VII. Finale (after Prelude No. 24) | Dmitri Shostakovich, Simon Crawford-Phillips, Lawrence Power | C Major | 1 | 8B | 97 BPM | ||
Stravinsky: 3 Pieces for Solo Clarinet: No. 2 | Igor Stravinsky, Sabine Meyer | D Major | 0 | 10B | 169 BPM | ||
Clarinet Concerto: II. Scherzando | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | D Minor | 3 | 7A | 99 BPM | ||
3 Waltzes, D. 370: Waltz No. 11: Vivace | Domenico Dragonetti, Ubaldo Fioravanti | D Major | 1 | 10B | 152 BPM | ||
Deux Morceaux De Concours - I - Andandtino | Paula Robison | D Major | 1 | 10B | 154 BPM | ||
Concerto for Fortepiano No. 1 in E-Flat Major (after Viotti): III. Rondo : Allegretto | Hélène de Montgeroult, Élisabeth Pion, Mathieu Lussier, Arion Orchestre Baroque | E♭ Major | 2 | 5B | 79 BPM | ||
Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | A Major | 0 | 11B | 74 BPM |