"Recorder Concerto No. 2 in A Major: I. Allegro" by Robert Woodcock, Dan Laurin, Makoto Akatsu, Van Wassenaer Orchestra had its release date on January 31, 2000. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Recorder Concerto No. 2 in A Major: I. Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Sammartini / Baston / Babell / Woodcock: Recorder Concertos". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Recorder Concerto No. 2 in A Major: I. Allegro is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Recorder Concerto No. 2 in A Major: I. Allegro by Robert Woodcock, Dan Laurin, Makoto Akatsu, Van Wassenaer Orchestra having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia di concerto grosso No. 5 in G Minor: Vivace - Adagio - Allegro - Adagio - Allegro | Alessandro Scarlatti | D Minor | 2 | 7A | 91 BPM | ||
Concerto for Two Violins in D Minor, BWV 1063r: I. Allegro | Johann Sebastian Bach, Combattimento | D Minor | 4 | 7A | 176 BPM | ||
Concerto in E flat Major for Oboe and Strings: Largo - Allegro - Largo - Allegro | Robert Woodcock, Thames Chamber Orchestra London, Neil Black, Michael Dobson | E♭ Major | 1 | 5B | 107 BPM | ||
Affetti musicali, Op. 1: No. 27, La Martia | Biagio Marini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Ero Maria Barbero | D Minor | 1 | 7A | 105 BPM | ||
Golovinmusiken, BeRI 1: No. 8, Presto | Johan Helmich Roman, Höör Barock, Dan Laurin | A♭ Major | 2 | 4B | 143 BPM | ||
Oboe Concerto in C Major, Op. 7 No. 12: I. Allegro | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | A Major | 3 | 11B | 85 BPM | ||
Airs for the Autumn: Night Shade: I. Aria: Pastorale vivace | James Oswald, The Broadside Band | D♭ Major | 2 | 3B | 135 BPM | ||
Concerti a più istrumenti in F Major, Op. 6 No. 6, IV. Allegro assai | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Davide Monti, Orchestra Barocca di Verona, Alberto Rasi | B Major | 3 | 1B | 128 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Passpied 1/2 | Cologne Chamber Orchestra | E Minor | 1 | 9A | 132 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM |