Ellie Mao's 'The Happy Fisherman (Traditional)' came out on January 1, 1963. With The Happy Fisherman (Traditional) being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 25 out of 28 in Ellie Mao: An Anthology of Chinese Folk Songs by Ellie Mao Mok. The Happy Fisherman (Traditional) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Happy Fisherman (Traditional) by Ellie Mao is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trois mélodies, Op. 8: No. 3, Ici-bas! | Dilyana Georgieva, Galina Apostolova | C Minor | 3 | 5A | 168 BPM | ||
季節祭り | TTR-11 | F Major | 0 | 7B | 70 BPM | ||
H.M.S. Pinafore, Act II: Entr’acte | Gilbert & Sullivan Society of Houston | G Major | 1 | 9B | 82 BPM | ||
Benatzky & Stolz: Im weißen Rößl: "Mein Liebeslied muss ein Walzer sein" (Doktor Siedler, Ottilie) | Ralph Benatzky, Robert Stolz, Diana Damrau, Jonas Kaufmann, Ernst Theis, Das Münchner Rundfunkorchester | C Major | 2 | 8B | 92 BPM | ||
The Mule-Driver's Song (Yunnan) | Ellie Mao | F Major | 1 | 7B | 119 BPM | ||
I Capuleti e i Montecchi, Act 1 Scene 4: Oh! Quante volte (Arr. for Countertenor & String Quartet by Eric Mouret) | Vincenzo Bellini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
Haugtussa, Op. 67: IV. Møte | Charlotte Hoather, George Todica | F Major | 2 | 7B | 105 BPM | ||
Confessions: 'Friendship, Confidence, Intimacy, Sympathy Of Soul...' (Jean-Jacques Rousseau) | Michael Sheen | D Major | 0 | 10B | 91 BPM | ||
Trial by Jury: That She Is Reeling Is Plain to Me | Gilbert & Sullivan Society of Houston | G Minor | 3 | 6A | 80 BPM | ||
Mission to Neighbours | Don Meon | D Major | 2 | 10B | 93 BPM |
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