"Messiah, HWV 56: Pastoral Symphony (Larghetto e mezzo piano)" by George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields was released on February 7, 2011. The duration of Messiah, HWV 56: Pastoral Symphony (Larghetto e mezzo piano) is about 3 minutes long, at 3:14. Based on our data, "Messiah, HWV 56: Pastoral Symphony (Larghetto e mezzo piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 19 in Baroque Masterpieces by Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Messiah, HWV 56: Pastoral Symphony (Larghetto e mezzo piano) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Messiah, HWV 56: Pastoral Symphony (Larghetto e mezzo piano) by George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | F Minor | 1 | 4A | 108 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Trumpet Concerto in E Flat, H.VIIe/1: 3. Allegro | Joseph Haydn, Håkan Hardenberger, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 169 BPM | ||
Variations on a Russian Folksong | John Field, Piers Lane | A Minor | 0 | 8A | 129 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Bach, JS: Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": No. 2, Chöre, Arioso und Aria. "Gottes Zeit ist die allerbeste Zeit" (Arr. Kurtág for Piano 4-Hands) | Johann Sebastian Bach, Alexandre Tharaud, David Fray | B Minor | 0 | 10A | 111 BPM | ||
12 Études, Op. 10: No. 1 in C Major "Waterfall" | Frédéric Chopin, Yunchan Lim | C Major | 2 | 8B | 86 BPM | ||
String Quartet No. 4 in C Major, K. 157: II. Andante | Eder Quartet | C Minor | 0 | 5A | 98 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: I. Overture | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM |
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