"Charade "Scenes from the '60s": IV. Flying Saucers" by George Lloyd, BBC Philharmonic was released on March 1, 2024. With this song being about 5 minutes long, at 5:24, "Charade "Scenes from the '60s": IV. Flying Saucers" by George Lloyd, BBC Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Lloyd, Albany Symphony Orchestra, BBC Philharmonic's "George Lloyd: The Symphonies Nos. 1-6" album is number 14 out of 29. On top of that, United Kingdom appears to be the country where this track was created. Charade "Scenes from the '60s": IV. Flying Saucers is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Charade "Scenes from the '60s": IV. Flying Saucers by George Lloyd, BBC Philharmonic to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lloyd: John Socman: Men's Chorus, Mawle, Timothy | George Lloyd, Philharmonia Orchestra, Janice Watson, Thomas Booth, David Wilson-Johnson, Diana Montague, Michael George, Malcolm Rivers | D Major | 0 | 10B | 89 BPM | ||
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | B♭ Major | 0 | 6B | 115 BPM | ||
Les 7 paroles du Christ: 5e Parole - "Sitio" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Minor | 1 | 3A | 141 BPM | ||
Norwegian Dances, Op. 35: No. 2 in A Major | Edvard Grieg, Hans Sitt, Iceland Symphony Orchestra, Bjarte Engeset | A Major | 0 | 11B | 106 BPM | ||
Symphony No. 4 in F Minor, Op. 36, TH 27: III. Scherzo. Pizzicato ostinato - Allegro | Pyotr Ilyich Tchaikovsky, Baltimore Symphony Orchestra, David Zinman | A Minor | 0 | 8A | 143 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
Symphony No. 9 in D Major: I. Andante comodo: No. 1, Andante comodo | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D Major | 1 | 10B | 109 BPM | ||
Symphony No. 11: II. Lento | George Lloyd, Albany Symphony Orchestra | C Major | 1 | 8B | 109 BPM | ||
21 Hungarian Dances, WoO 1 (Excerpts Arr. A. Dvořák for Orchestra): No. 18, Molto vivace | Johannes Brahms, Bamberg Symphony, Jakub Hrůša | G Major | 3 | 9B | 99 BPM | ||
Run Hermes | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM |
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