Charade "Scenes from the '60s": IV. Flying Saucers
George Lloyd, BBC Philharmonic
George Lloyd: The Symphonies Nos. 1-6
5:24 March 1, 2024
BPM
70
Key
F Minor
Camelot
4A

Embed

Share Link

Charade "Scenes from the '60s": IV. Flying Saucers - George Lloyd, BBC Philharmonic Information

Acousticness
96%
Danceability
7%
Energy
1%
Instrumentalness
92%
Liveness
13%
Loudness
41%
Speechiness
4%
Valence
4%
Popularity
Loudness
-35.52 dB

Summary

"Charade "Scenes from the '60s": IV. Flying Saucers" by George Lloyd, BBC Philharmonic was released on March 1, 2024. With this song being about 5 minutes long, at 5:24, "Charade "Scenes from the '60s": IV. Flying Saucers" by George Lloyd, BBC Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Lloyd, Albany Symphony Orchestra, BBC Philharmonic's "George Lloyd: The Symphonies Nos. 1-6" album is number 14 out of 29. On top of that, United Kingdom appears to be the country where this track was created. Charade "Scenes from the '60s": IV. Flying Saucers is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Charade "Scenes from the '60s": IV. Flying Saucers BPM

We consider the tempo marking of Charade "Scenes from the '60s": IV. Flying Saucers by George Lloyd, BBC Philharmonic to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Charade "Scenes from the '60s": IV. Flying Saucers Key

This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Lloyd: John Socman: Men's Chorus, Mawle, Timothy by George Lloyd, Philharmonia Orchestra, Janice Watson, Thomas Booth, David Wilson-Johnson, Diana Montague, Michael George, Malcolm RiversLloyd: John Socman: Men's Chorus, Mawle, TimothyGeorge Lloyd, Philharmonia Orchestra, Janice Watson, Thomas Booth, David Wilson-Johnson, Diana Montague, Michael George, Malcolm RiversD Major010B89 BPM
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) by Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit)Paul Le Flem, Rhenish Philharmonic Orchestra, James LockhartB♭ Major06B115 BPM
Les 7 paroles du Christ: 5e Parole - Les 7 paroles du Christ: 5e Parole - "Sitio"Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold WickeB♭ Minor13A141 BPM
Norwegian Dances, Op. 35: No. 2 in A Major by Edvard Grieg, Hans Sitt, Iceland Symphony Orchestra, Bjarte EngesetNorwegian Dances, Op. 35: No. 2 in A MajorEdvard Grieg, Hans Sitt, Iceland Symphony Orchestra, Bjarte EngesetA Major011B106 BPM
Symphony No. 4 in F Minor, Op. 36, TH 27: III. Scherzo. Pizzicato ostinato - Allegro by Pyotr Ilyich Tchaikovsky, Baltimore Symphony Orchestra, David ZinmanSymphony No. 4 in F Minor, Op. 36, TH 27: III. Scherzo. Pizzicato ostinato - AllegroPyotr Ilyich Tchaikovsky, Baltimore Symphony Orchestra, David ZinmanA Minor08A143 BPM
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré by Maurice Ravel, Basque National Orchestra, Robert TrevinoValses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, ModéréMaurice Ravel, Basque National Orchestra, Robert TrevinoC Major08B82 BPM
Symphony No. 9 in D Major: I. Andante comodo: No. 1, Andante comodo by Gustav Mahler, Mahler Academy Orchestra, Philipp von SteinaeckerSymphony No. 9 in D Major: I. Andante comodo: No. 1, Andante comodoGustav Mahler, Mahler Academy Orchestra, Philipp von SteinaeckerD Major110B109 BPM
Symphony No. 11: II. Lento by George Lloyd, Albany Symphony OrchestraSymphony No. 11: II. LentoGeorge Lloyd, Albany Symphony OrchestraC Major18B109 BPM
21 Hungarian Dances, WoO 1 (Excerpts Arr. A. Dvořák for Orchestra): No. 18, Molto vivace by Johannes Brahms, Bamberg Symphony, Jakub Hrůša21 Hungarian Dances, WoO 1 (Excerpts Arr. A. Dvořák for Orchestra): No. 18, Molto vivaceJohannes Brahms, Bamberg Symphony, Jakub HrůšaG Major39B99 BPM
Run Hermes by Paul Edward-FrancisRun HermesPaul Edward-FrancisC Major08B169 BPM
ISRC
GBAET2400014
Label
L-M Records/RCA Records

Section: 0.5719289779663086

End: 0.5818016529083252