"Symphony, "Mathis der Maler": Grablegung: Sehr langsam" by Paul Hindemith, New Zealand Symphony Orchestra, Franz-Paul Decker was released on January 4, 1995. With this song being about 5 minutes long, at 4:38, "Symphony, "Mathis der Maler": Grablegung: Sehr langsam" by Paul Hindemith, New Zealand Symphony Orchestra, Franz-Paul Decker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Paul Hindemith, Franz-Paul Decker's "Hindemith: Mathis Der Maler / Symphonic Metamorphosis" album is number 2 out of 10. Symphony, "Mathis der Maler": Grablegung: Sehr langsam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony, "Mathis der Maler": Grablegung: Sehr langsam by Paul Hindemith, New Zealand Symphony Orchestra, Franz-Paul Decker to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: IV. Langsam, mit melancholischem Ausdruck | Robert Schumann, Tabea Zimmermann, Hartmut Höll | D Major | 0 | 10B | 134 BPM | ||
String Quartet No. 1 in C Major, Op. 49: 3. Allegro molto | Dmitri Shostakovich, Borodin Quartet | G Minor | 3 | 6A | 121 BPM | ||
8 Stücke für Flöte allein: No. 8, Finale | Paul Hindemith, Stathis Karapanos | G Major | 0 | 9B | 113 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: II. Adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | C Major | 0 | 8B | 54 BPM | ||
Suite in the Old Style: II. Ballet | Alfred Schnittke, Daniel Hope, Alexey Botvinov | D Major | 3 | 10B | 117 BPM | ||
Eine Alpensinfonie: VIII. Stille vor den Sturm - Gewitter und Sturm, Abstieg - Sonnenuntergang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Major | 2 | 2B | 73 BPM | ||
Symphony No.2 In D, Op.73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 83 BPM | ||
Sonata for Viola and Piano, Op. 25 No. 4: II. Sehr langsame Viertel | Paul Hindemith, Maria Shetty, Monika Wilińska-Tarcholik | F♯ Major | 2 | 2B | 129 BPM |
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