George Enescu, Susanne Stanzeleit, Julian Jacobson's 'Violin Sonata No.3, Op. 25: III. Allegro con brio, ma non troppo mosso' came out on 2002. Since Violin Sonata No.3, Op. 25: III. Allegro con brio, ma non troppo mosso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Enescu, Susanne Stanzeleit, Julian Jacobson's "George Enescu: Music for Violin and Piano" album is number 6 out of 7. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Violin Sonata No.3, Op. 25: III. Allegro con brio, ma non troppo mosso's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Violin Sonata No.3, Op. 25: III. Allegro con brio, ma non troppo mosso by George Enescu, Susanne Stanzeleit, Julian Jacobson to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abbey Road concerto for Violin and Orchestra: IV. Intermezzo 2 | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | G Major | 1 | 9B | 75 BPM | ||
Nocturnes, L. 91: 2. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Concerto for Violin, Strings, Lute and Percussion "TYCHE": II. Capriccio. Allegro | Giovanni Sollima, Jonian Ilias Kadesha, CHAARTS Chamber Artists | D♭ Major | 1 | 3B | 119 BPM | ||
Sibelius: Symphony No. 7 in C Major, Op. 105: IV. Presto - Poco a poco rallentando al adagio | Jean Sibelius, Paavo Berglund, Bournemouth Symphony Orchestra | F♯ Minor | 1 | 11A | 83 BPM | ||
May Song | Edward Elgar, New Zealand Symphony Orchestra, James Judd | E Major | 1 | 12B | 79 BPM | ||
Symphony No. 5 in D Major: II. Andantio moderat piacevole | George Enescu, Marius Vlad, NDR Chor, Deutsche Radio Philharmonie Saarbrücken-Kaiserslautern, Peter Ruzicka | A Major | 1 | 11B | 86 BPM | ||
Concertante Variationen über ein Thema von Beethoven für Klavier und Orchester: III. Ruhig fließend - Arr. For 2 Hands by Friedrich Wührer | Franz Schmidt, Friedrich Wührer, Ragna Schirmer, Andrey Boreyko, Hamburg Symphony Orchestra | F♯ Minor | 2 | 11A | 107 BPM | ||
Norwegian Dances, Op. 35: No. 2 in A Major | Edvard Grieg, Hans Sitt, Iceland Symphony Orchestra, Bjarte Engeset | A Major | 0 | 11B | 106 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | G Major | 2 | 9B | 90 BPM |
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