"The Vanishing Bridegroom, Act III: Come Away With Me" by Judith Weir, Jonathan Lemalu, Stephen Jeffes, BBC Symphony Orchestra, Martyn Brabbins had its release date on September 2, 2014. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wier: The Vanishing Bridegroom by Judith Weir, Various Artists, Martyn Brabbins, BBC Symphony Orchestra. The song's track number on the album is #5 out of 46 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The Vanishing Bridegroom, Act III: Come Away With Me is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Vanishing Bridegroom, Act III: Come Away With Me by Judith Weir, Jonathan Lemalu, Stephen Jeffes, BBC Symphony Orchestra, Martyn Brabbins has a tempo of 59 beats per a minute, the tempo markings of this song would be Lento (slowly). With The Vanishing Bridegroom, Act III: Come Away With Me being at 59 BPM, the half-time would be 30 BPM with a double-time of 118 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nunc Dimittis: Nunc dimittis | Arvo Pärt, South Dakota Chorale, Brian A. Schmidt | A Major | 0 | 11B | 77 BPM | ||
A Long Way | Wayne Hubbard | A♭ Minor | 1 | 1A | 173 BPM | ||
Songs on One Page, H. 294: No. 3, Cesta k milé | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | A Minor | 0 | 8A | 93 BPM | ||
Fantasia On British Sea Songs - Farewell and Adieu Ye Spanish Ladies | Royal Philharmonic Orchestra | F Major | 0 | 7B | 81 BPM | ||
Missa Maria Magdalena: Agnus Dei | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 1 | 10B | 86 BPM | ||
2 Sacred Chants: No. 1, Mercy of Peace | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | E Major | 0 | 12B | 132 BPM | ||
Franck: Dextera Domini, FWV 65 | César Franck, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | B♭ Major | 1 | 6B | 78 BPM | ||
Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM | ||
Fauré: Les Djinns, Op. 12 | Gabriel Fauré, Jean Sourisse, Emmanuel Strosser, Ensemble vocal Audite Nova | A Minor | 0 | 8A | 65 BPM | ||
3 Psalms, Op. 78: II. Psalm 43 "Richte mich, Gott" | Felix Mendelssohn, RIAS Kammerchor, Marcus Creed | A Minor | 1 | 8A | 91 BPM |