"Suite gothique, Op. 25: IV. Toccata" by Léon Boëllmann, Hans Fagius was released on January 31, 1987. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 16 in Fagius, Hans: Organ Favourites by Hans Fagius. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Suite gothique, Op. 25: IV. Toccata is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite gothique, Op. 25: IV. Toccata by Léon Boëllmann, Hans Fagius is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie Fantastique, Op.14, H 48: 5b. Songe d'une nuit du Sabbat - Dies irae | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 1 | 6A | 63 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | B Major | 4 | 1B | 113 BPM | ||
Sortie in G Minor | Louis James Alfred Lefébure-Wély, Daniel Roth | F Major | 4 | 7B | 78 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
9 Studies: No. 1. Allegro agitato | Charles-Auguste de Bériot, Bella Hristova | G Major | 1 | 9B | 129 BPM | ||
A Night On The Bare Mountain | Modest Mussorgsky, London Symphony Orchestra, Leopold Stokowski | D Major | 4 | 10B | 97 BPM | ||
Organ Symphony No. 3 in E Minor, Op. 13, No. 3: II. Minuetto | Charles-Marie Widor, Hans Fagius | F♯ Major | 2 | 2B | 73 BPM | ||
Peer Gynt-Suite Nr. 1, Op. 46: II. Ases dod (The Death of Ase) | Edvard Grieg, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk | B Minor | 0 | 10A | 84 BPM | ||
Piano Quartet in F Minor, Op. 10: I. Allegro un poco moderato | Léon Boëllmann, Bela Banfalvi, Karoly Botvay, János Fehérvári, Ilona Prunyi | F Minor | 1 | 4A | 86 BPM |
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