- BPM
- 101
- Key
- C Minor
- Camelot
- 5A
Circe: XVII. Première Bourrée (reprise) - Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs Information
- Acousticness
- 94%
- Danceability
- 22%
- Energy
- 5%
- Instrumentalness
- 0%
- Liveness
- 40%
- Loudness
- 62%
- Speechiness
- 5%
- Valence
- 20%
- Popularity
- 0%
- Loudness
- -23.078 dB
Summary
Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs's 'Circe: XVII. Première Bourrée (reprise)' came out on May 31, 2023. With Circe: XVII. Première Bourrée (reprise) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Henri Desmarets, Boston Early Music Festival Orchestra, Boston Early Music Festival Chorus, Paul O'Dette, Stephen Stubbs's "Henry Desmarest: Circé" album is number 17 out of 110. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Circe: XVII. Première Bourrée (reprise) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Circe: XVII. Première Bourrée (reprise) BPM
We consider the tempo marking of Circe: XVII. Première Bourrée (reprise) by Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Circe: XVII. Première Bourrée (reprise) Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Armide, LWV 71, Act V Scene 1: Passacaille | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Minor | 1 | 4A | 131 BPM | |
 | Amphitryon, Z. 572, "The 2 Sosias": VII. Hornpipe | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 2 | 12A | 138 BPM | |
 | Vénus & Adonis: Overture | Henri Desmarets, Les Talens Lyriques, Christophe Rousset, Chœur de l'Opéra national de Lorraine, Karine Deshayes, Sebastien Droy, Henk Neven, Anna Maria Panzarella, Ingrid Perruche, Jean Teitgen, Anders J. Dahlin | F Major | 2 | 7B | 112 BPM | |
 | Circé, Act V Scene 1: Ritournelle. Quoi vous ne serez point touché de ma douleur ? (Astérie, Polite) | Henri Desmarets, Les Nouveaux Caractères, Sébastien d'Hérin, Caroline Mutel, Romain Bockler | D Minor | 3 | 7A | 173 BPM | |
| Armide, LWV 71, Act I Scene 3: Suivons Armide et chantons sa Victoire (Phénice, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Marie Perbost, Chœur de l'Opéra de Dijon | F Major | 1 | 7B | 139 BPM | |
 | Circe: XXXIV. De nos plaisirs que l’Echo retentisse | Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs, Boston Early Music Festival Chorus, James Reese | C Minor | 0 | 5A | 101 BPM | |
 | Stabat Mater in G Minor: VII. Sancta Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Minor | 0 | 10A | 57 BPM | |
 | Biber: Plaudite tympana a 54 | Heinrich Ignaz Franz von Biber, Amsterdam Baroque Orchestra, Ton Koopman, Amsterdam Baroque Choir | A♭ Major | 2 | 4B | 85 BPM | |
 | Buxtehude: Membra Jesu nostri, BuxWV 75: VI. Ad cor. "Vulnerasti cor meum" | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Peter Kooij, Knabenchor Hannover, Amsterdam Baroque Orchestra | C Minor | 0 | 5A | 69 BPM | |
 | Veni Creator: Recitative: Hostem repellas (Bass, Chorus) | Henri Desmarets, Hanna Bayodi, Stephanie Revidat, Francois-Nicolas Geslot, Sebastien Droy, Benoit Arnould, Le Concert Spirituel, Herve Niquet | F Minor | 3 | 4A | 109 BPM |
- ISRC
- DEB202259417
- Label
- L-M Records/RCA Records
Section: 0.9761495590209961
End: 0.9907443523406982