"Passio Domini nostri Jesu Christi secundum Joannem, Scene 8: "Milites ergo cum crucifixissent eum"" by Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer, Coro da Camera di Varese had its release date on 2009. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "St John Passion". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Belgium. In terms of popularity, Passio Domini nostri Jesu Christi secundum Joannem, Scene 8: "Milites ergo cum crucifixissent eum" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Passio Domini nostri Jesu Christi secundum Joannem, Scene 8: "Milites ergo cum crucifixissent eum" by Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer, Coro da Camera di Varese having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in G Minor, Op. 6 No. 7: II. Allemanda. Allegro | Francesco Antonio Bonporti, London Baroque | F♯ Minor | 2 | 11A | 108 BPM | ||
La festa d'Imeneo: Vaghi amori, grazie amate (Ed. Sanderson) | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | G Major | 1 | 9B | 100 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Christine Pichlmeier, Lisa Stewart, Cologne Chamber Orchestra, Helmut Muller-Bruhl | F♯ Major | 1 | 2B | 141 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: I. Preludio: Andante Largo | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Dido and Aeneas: Overture | Henry Purcell, English Baroque Soloists, John Eliot Gardiner | B Minor | 2 | 10A | 166 BPM | ||
Concerto a cinque No. 3, Op. 7: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 2 | 11A | 98 BPM | ||
Trumpet Concerto in D Major, TWV 51:D7: IV. Allegro | Georg Philipp Telemann, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 2 | 3B | 113 BPM | ||
Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | ||
Marc'Antonio e Cleopatra: Aria "Morte col fiero aspetto" | Johann Adolf Hasse, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini | F♯ Minor | 2 | 11A | 125 BPM |