"Mattinata" by Jussi Björling, Nils Grevillius, Orchestra Of The Royal Opera, Stockholm was released on March 3, 1931. The duration of Mattinata is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Mattinata's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #63. Furthermore, we believe that the track originated from Germany. In terms of popularity, Mattinata is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mattinata by Jussi Björling, Nils Grevillius, Orchestra Of The Royal Opera, Stockholm having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Final Recording (Gothenburg 1960): Lohengrin: I fjärran land (In fernem Land) | Jussi Björling, Gothenburg Symphony Orchestra | D♭ Minor | 2 | 12A | 89 BPM | ||
The Bohemian Girl - Arr. By Karel Mark Chichon: I Dreamt I Dwelt In Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | ||
Le Cid (1997 Digital Remaster): De cet affreux combat....Pleurez, mes yeux | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | B Minor | 1 | 10A | 83 BPM | ||
Turandot | Mario Sereni, Tommaso Frascati, Giorgio Tozzi, Orchestra and Chorus of Teatro dell'Opera di Roma, Jussi Björling, Piero DePalma, Erich Leinsdorf | D Major | 4 | 10B | 101 BPM | ||
Parlami d'amore, Mariu (orch. L. Logi) | Cesare Andrea Bixio, L. Logi, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 1 | 7B | 67 BPM | ||
Jungfrun under lind | Wilhelm Peterson-Berger, Jussi Björling, Frederick Schauwecker | A♭ Major | 3 | 4B | 132 BPM | ||
Visa kring slanblom och masnkara (Song of Blackthorn and Crescent Moon) | Sven Salen, Jussi Björling, Bertil Bokstedt | G Major | 3 | 9B | 92 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM |
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