Wolfgang Amadeus Mozart, Capella Istropolitana, Richard Edlinger made "Divertimento in B-Flat Major, K. 137, "Salzburg Symphony No. 2": III. Allegro assai" available on February 5, 1988. The duration of Divertimento in B-Flat Major, K. 137, "Salzburg Symphony No. 2": III. Allegro assai is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Divertimento in B-Flat Major, K. 137, "Salzburg Symphony No. 2": III. Allegro assai's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart's "Mozart: Kleine Nachtmusik (Eine) / Serenata Notturna / Divertimenti" album is number 13 out of 19. In terms of popularity, Divertimento in B-Flat Major, K. 137, "Salzburg Symphony No. 2": III. Allegro assai is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Divertimento in B-Flat Major, K. 137, "Salzburg Symphony No. 2": III. Allegro assai by Wolfgang Amadeus Mozart, Capella Istropolitana, Richard Edlinger to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Concerto in C for Flute, Harp, and Orchestra, K.299: 1. Allegro | Wolfgang Amadeus Mozart, Irena Grafenauer, Maria Graf, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 123 BPM | ||
String Quartet No.4 in C, KV.157 I.Allegro | Gunther Hasselmann | C Major | 2 | 8B | 141 BPM | ||
Six German Dances, D820: No.2 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
Burlesque de Quixotte: III. Son Attaque des moulins à vent | Georg Philipp Telemann, Simon Standage, Collegium Musicum 90 | D♭ Major | 4 | 3B | 134 BPM | ||
Symphony in D Major, Op. 3, No. 1, W. C1: II. Andante | Johann Christian Bach, Miklós Spányi, Concerto Armonico Budapest, Péter Szűts | F♯ Major | 0 | 2B | 100 BPM | ||
Mazurka No.19 In B Minor, Op.30 No.2 | Frédéric Chopin, Vladimir Ashkenazy | F♯ Minor | 1 | 11A | 109 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM | ||
Bach, CPE: Concerto in G Major, Wq 169, H. 445: I. Allegro di molto | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | G Major | 2 | 9B | 133 BPM | ||
Quintet No. 9 for Guitar and Strings in C Major, G. 453 - "La ritirata di Madrid": I. Allegro maestoso assai | Luigi Boccherini, Narciso Yepes, Melos Quartet | C Major | 1 | 8B | 65 BPM |
Section: 0.8298051357269287
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