"Variations on an Original Theme, Op. 36 "Enigma": Variation No. 9 "Nimrod"" by Edward Elgar, Adelaide Symphony Orchestra, David Stanhope was released on April 13, 2012. With this song being about 5 minutes long, at 4:34, "Variations on an Original Theme, Op. 36 "Enigma": Variation No. 9 "Nimrod"" by Edward Elgar, Adelaide Symphony Orchestra, David Stanhope is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Lest We Forget: The Music of Remembrance" album is number 14 out of 24. On top of that, Australia appears to be the country where this track was created. In terms of popularity, Variations on an Original Theme, Op. 36 "Enigma": Variation No. 9 "Nimrod" is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Variations on an Original Theme, Op. 36 "Enigma": Variation No. 9 "Nimrod" by Edward Elgar, Adelaide Symphony Orchestra, David Stanhope to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Dream of Gerontius, Op. 38, Pt. 2: I see not those false spirits | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Rouse thee, my fainting soul | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence | D Major | 0 | 10B | 85 BPM | ||
4 Dance Episodes from Rodeo: IV. Hoe Down | Aaron Copland, Leonard Bernstein, New York Philharmonic | D Major | 5 | 10B | 134 BPM | ||
Crown Imperial | William Walton, London Chamber Orchestra, Christopher Warren-Green, Fanfare Team from the Central Band of the Royal Air Force | C Major | 3 | 8B | 88 BPM | ||
Notre Dame: Intermezzo | Franz Schmidt, Frankfurt Radio Symphony Orchestra, Paavo Järvi | D♭ Major | 2 | 3B | 112 BPM | ||
Snowdrop | Debbie Wiseman, National Symphony Orchestra | G Major | 1 | 9B | 69 BPM | ||
Lady Radnor's Suite: V. Slow Minuet | Hubert Parry, London Symphony Orchestra, Sir Adrian Boult | B♭ Major | 0 | 6B | 98 BPM | ||
Scheherazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Neeme Järvi, Royal Scottish National Orchestra, Edwin Paling | G Major | 1 | 9B | 65 BPM | ||
Five Variants of ‘Dives and Lazarus’ | Ralph Vaughan Williams, Hallé, Sir Mark Elder | B Minor | 1 | 10A | 71 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM |
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