Astor Piazzolla made "Libertango" available on 2004. The duration of Libertango is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Libertango's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 16 in Aubade: Leçons de Tango by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Libertango is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Libertango by Astor Piazzolla is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Theme From "Schindler's List" | John Williams, Lakatos | D Minor | 1 | 7A | 78 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Nonino | Astor Piazzolla y su Bandoneón y su Orquesta de Cuerdas, Martial Solal | B Minor | 4 | 10A | 119 BPM | ||
Siete canciones populares españolas: V. nana | Manuel de Falla, Ophélie Gaillard, David Chupete, Emmanuel Rossfelder | A Major | 1 | 11B | 97 BPM | ||
Bach à la jazz | Matt Herskowitz | C Minor | 3 | 5A | 142 BPM | ||
Libertango (Arr. for Cello and Orchestra) | Astor Piazzolla, Astor Pizzolla, Sara Sant'Ambrogio, Grzegorz Nowak, Royal Philharmonic Orchestra | A Minor | 2 | 8A | 176 BPM | ||
Chôros No. 1, W161 | Heitor Villa-Lobos, Mickael Viegas | E Minor | 2 | 9A | 93 BPM | ||
4 Valses Venezolanos: No. 3, Natalia "Vals Criollo" | Antonio Lauro, John Williams | E Major | 2 | 12B | 90 BPM | ||
Oblivion, per solista e orchestra d'archi | Salvatore Accardo, Orchestra Da Camera Italiana | C Minor | 1 | 5A | 90 BPM | ||
Contradanza | Clarinetes Ad Libitum | C Major | 3 | 8B | 115 BPM |
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