- BPM
- 176
- Key
- A Minor
- Camelot
- 8A
Libertango (Arr. for Cello and Orchestra) - Astor Piazzolla, Astor Pizzolla, Sara Sant'Ambrogio, Grzegorz Nowak, Royal Philharmonic Orchestra Information
- Acousticness
- 96%
- Danceability
- 20%
- Energy
- 19%
- Instrumentalness
- 92%
- Liveness
- 6%
- Loudness
- 71%
- Speechiness
- 5%
- Valence
- 17%
- Popularity
- 16%
- Loudness
- -17.155 dB
Summary
"Libertango (Arr. for Cello and Orchestra)" by Astor Piazzolla, Astor Pizzolla, Sara Sant'Ambrogio, Grzegorz Nowak, Royal Philharmonic Orchestra was released on October 1, 2019. With this song being about 5 minutes long, at 5:19, "Libertango (Arr. for Cello and Orchestra)" by Astor Piazzolla, Astor Pizzolla, Sara Sant'Ambrogio, Grzegorz Nowak, Royal Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Libertango (Arr. for Cello and Orchestra) and no other songs are present in the album, we classify this track as a single. The popularity of Libertango (Arr. for Cello and Orchestra) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Libertango (Arr. for Cello and Orchestra) BPM
We consider the tempo marking of Libertango (Arr. for Cello and Orchestra) by Astor Piazzolla, Astor Pizzolla, Sara Sant'Ambrogio, Grzegorz Nowak, Royal Philharmonic Orchestra to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
Libertango (Arr. for Cello and Orchestra) Key
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | |
 | Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: II. Allegro assai | Felix Mendelssohn, Quatuor Ébène | F Minor | 3 | 4A | 139 BPM | |
 | Schubert: Serenade | Robin Alciatore | D Major | 0 | 10B | 133 BPM | |
 | Romeo & Juliet, Op. 64, Act I: No. 13, Dance of the Knights (Montagues & Capulets) | Sergei Prokofiev, Baltimore Symphony Orchestra, Marin Alsop | C Major | 1 | 8B | 101 BPM | |
 | Marche Funèbre | Rousseau | D♭ Major | 0 | 3B | 61 BPM | |
 | Chopin Mazurka in A Minor, Op.67,No.4: Frederic Chopin | Mela Tenenbaum | A Major | 1 | 11B | 135 BPM | |
 | Palladio: I. Allegretto | Karl Jenkins, NDR Radiophilharmonie, Ben Palmer | D Minor | 4 | 7A | 90 BPM | |
 | Colors of the Wind - From "Pocahontas" | Royal Philharmonic Orchestra | F♯ Major | 2 | 2B | 104 BPM | |
 | Swan Lake - Waltz | London Philharmonic Orchestra | A Major | 1 | 11B | 76 BPM | |
 | Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets (Excerpt) | Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti | A Minor | 3 | 8A | 108 BPM |
- ISRC
- QMEU31903797
- Label
- L-M Records/RCA Records
Section: 0.7390666007995605
End: 0.7434284687042236