- BPM
- 64
- Key
- E♭ Minor
- Camelot
- 2A
Pictures at an Exhibition: III. Tuileries (Dispute d’enfants après jeux) - Live - Modest Mussorgsky, Alice Sara Ott Information
- Acousticness
- 99%
- Danceability
- 42%
- Energy
- 5%
- Instrumentalness
- 85%
- Liveness
- 12%
- Loudness
- 53%
- Speechiness
- 3%
- Valence
- 36%
- Popularity
- 6%
- Loudness
- -28.039 dB
Summary
Modest Mussorgsky, Alice Sara Ott's 'Pictures at an Exhibition: III. Tuileries (Dispute d’enfants après jeux) - Live' came out on January 1, 2013. With Pictures at an Exhibition: III. Tuileries (Dispute d’enfants après jeux) - Live being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 20 in the song's album "Pictures (Live At Mariinsky Theatre, St. Petersburg / 2012)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Pictures at an Exhibition: III. Tuileries (Dispute d’enfants après jeux) - Live is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Pictures at an Exhibition: III. Tuileries (Dispute d’enfants après jeux) - Live BPM
With Pictures at an Exhibition: III. Tuileries (Dispute d’enfants après jeux) - Live by Modest Mussorgsky, Alice Sara Ott having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Pictures at an Exhibition: III. Tuileries (Dispute d’enfants après jeux) - Live Key
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | |
 | El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | |
 | 6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | |
 | Berceuse, Op. 16 | Gabriel Fauré, Michael Healy, RTE Sinfonietta, John Georgiadis | D Major | 0 | 10B | 75 BPM | |
 | Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | |
 | Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | |
 | Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | |
 | La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | |
 | Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | |
 | Pictures At An Exhibition (Orch. Ravel): 8a. Catacombae (Sepulchrum Romanum) | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | B Minor | 0 | 10A | 71 BPM |
- ISRC
- DEN961230506
- Label
- L-M Records/RCA Records
Section: 0.7959632873535156
End: 0.8006422519683838