Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice made "The Sleeping Beauty, Op. 66 : Coda" available on July 31, 1992. With The Sleeping Beauty, Op. 66 : Coda being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 65 in the song's album "Tchaikovsky: The Sleeping Beauty (Complete Ballet)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Sleeping Beauty, Op. 66 : Coda is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Sleeping Beauty, Op. 66 : Coda by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnival of the Animals, R. 125: Tortoises | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | B♭ Major | 0 | 6B | 138 BPM | ||
Images: No. 2. Iberia: Par les rues et par les chemins - | Claude Debussy, Orchestre National De Lyon, Jun Markl | F Minor | 1 | 4A | 176 BPM | ||
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 23f. Pas de quatre: Coda | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | D Major | 0 | 10B | 95 BPM | ||
Swan Lake, Op.20 - Mariinsky Version / Act 1: Scene 1: Pas de trois - Variation 2 (Moderato) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 66 BPM | ||
Act III: Variation II La fee Argent | Moscow New Philharmonic Orchestra, Vladimir Ponkin | A♭ Major | 1 | 4B | 115 BPM | ||
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM | ||
Polonaise "Héroïque" in A-flat, Op. 53, N°6 | Luc Devos | A♭ Major | 2 | 4B | 74 BPM | ||
Don Quixote: Act I: Seguidilla | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Major | 3 | 11B | 110 BPM | ||
Giselle: Peasant pas de deux (arr. March): Act I: Coda | Franz Burgmüller, March, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 113 BPM |
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