Guillaume de Machaut, Helge Slaatto, Frank Reinecke made "Ballade No. 13, Esperance qui m'asseure (Arr. F. Reinecke & H. Slaatto for Violin & Double Bass)" available on February 1, 2019. With Ballade No. 13, Esperance qui m'asseure (Arr. F. Reinecke & H. Slaatto for Violin & Double Bass) being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 30 in Ars Nova – New Music by Helge Slaatto, Frank Reinecke. The popularity of Ballade No. 13, Esperance qui m'asseure (Arr. F. Reinecke & H. Slaatto for Violin & Double Bass) is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Ballade No. 13, Esperance qui m'asseure (Arr. F. Reinecke & H. Slaatto for Violin & Double Bass) by Guillaume de Machaut, Helge Slaatto, Frank Reinecke is Presto (very, very fast), since this song has a tempo of 182 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bookes of Ayres, Book 2*: Never weather-beaten saile more willing bent to shore | Thomas Campion, Julianne Baird, Ronn McFarlane | A♭ Major | 0 | 4B | 0 BPM | ||
Textless Carmen | Piffaro | D Major | 0 | 10B | 115 BPM | ||
Isaac: Optime Pastor - 1. Optime Divino | The Tallis Scholars, Peter Phillips | E Minor | 2 | 9A | 87 BPM | ||
Intemerata Dei Mater | Johannes Ockeghem, Musica Ficta, Bo Holten | D♭ Minor | 2 | 12A | 110 BPM | ||
Missa Nunca Fue Pena Major: V. Agnus Dei | Francisco de Peñalosa, Concentus Musicus Minnesota, Arthur Maud | A♭ Minor | 2 | 1A | 74 BPM | ||
Instrumental Piece 2 | Barbara Thornton, Elizabeth Gaver, Sequentia | A Minor | 0 | 8A | 90 BPM | ||
In Nomine à 5 "Trust" | Christopher Tye, Fretwork | C Minor | 0 | 5A | 62 BPM | ||
In Nomine No. 2 | William Byrd, The Rose Consort Of Viols | F♯ Minor | 1 | 11A | 108 BPM | ||
So ys emprentid | Walter Frye, Ensemble belladonna, Susanne Ansorg, Miriam Andersén, Rebecca Bain | A Minor | 0 | 8A | 77 BPM | ||
Frogg Galliard | Hopkinson Smith, John Dowland | G Major | 2 | 9B | 119 BPM |
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