Barbara Thornton, Elizabeth Gaver, Sequentia's 'Instrumental Piece 2' had a release date set for 1985. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Instrumental Piece 2's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 27 in Bingen: Chants De L'Extase by Hildegard von Bingen, Sequentia. In terms of popularity, Instrumental Piece 2 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Instrumental Piece 2 by Barbara Thornton, Elizabeth Gaver, Sequentia is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa cum iubilo - Sanctus | Nova Schola Gregoriana, Alberto Turco | E♭ Major | 1 | 5B | 132 BPM | ||
Pax in nomine domini! | Marcabru, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 170 BPM | ||
Sederunt Príncipes | Coro De La Abadía De San Florián Y La Iglesia De Santa Rita | E Major | 1 | 12B | 128 BPM | ||
O eterne Deus | Hildegard von Bingen, Sequentia, Barbara Thornton | A Minor | 0 | 8A | 74 BPM | ||
Quant je sui mis au retour | Guillaume de Machaut, Marc Mauillon, Pierre Hamon, Viva Biancaluna Biffi, Angélique Mauillon, Michaël Grébil | B Major | 1 | 1B | 87 BPM | ||
Kyrie Eleison: Iv Gregorianske Messe | Public Domaine, St. Hallvard-Guttene, Øistein Vogt | A Minor | 0 | 8A | 71 BPM | ||
Quid tantos | Anicius Manlius Severinus Boethius, Sequentia | D Minor | 2 | 7A | 108 BPM | ||
Chanterai por mon corage | Guiot de Dijon, Christina Clarke, Early Music Consort Of London, David Munrow | A Minor | 0 | 8A | 124 BPM | ||
Cum vox sanguinis | Hildegard von Bingen, Sequentia, Barbara Thornton | A Minor | 0 | 8A | 74 BPM | ||
Ballo 'La Giloxia' | Domenico da Piacenza, Unicorn Ensemble | G Major | 1 | 9B | 122 BPM |