"Piano Sonata No.13 in B-Flat Major, K. 333: II. Andante cantabile" by Wolfgang Amadeus Mozart, Ivan Moravec was released on January 1, 1989. Since Piano Sonata No.13 in B-Flat Major, K. 333: II. Andante cantabile is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "Piano Recital: Bach, Mozart, and Schumann". In this album, this song's track order is #5. In terms of popularity, Piano Sonata No.13 in B-Flat Major, K. 333: II. Andante cantabile is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Sonata No.13 in B-Flat Major, K. 333: II. Andante cantabile by Wolfgang Amadeus Mozart, Ivan Moravec having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Biriulki, Op. 28: II. The Little Orphan | Samuel Maykapar, Mila Baslavskaya | A Minor | 0 | 8A | 136 BPM | ||
Concerto In F Minor, BWV 1056: Largo (Trans. W. Kempff) | Johann Sebastian Bach, Idil Biret, Wilhelm Kempff | B♭ Major | 1 | 6B | 81 BPM | ||
Douce rêverie in G Minor | Tekla Bądarzewska-Baranowska, Hiroko Ishimoto | G Minor | 1 | 6A | 131 BPM | ||
Variations sérieuses, Op. 54, MWV U156: Variation 14: Adagio | Felix Mendelssohn, Jan Lisiecki | D Major | 0 | 10B | 75 BPM | ||
Etude Op. 10 no. 2 in a minor | Valentina Lisitsa | D Minor | 1 | 7A | 140 BPM | ||
24 Preludes, Op. 11: No. 5 in D Major | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 110 BPM | ||
Prelude and Nocturne for Left Hand Alone, Op. 9 | Alexander Scriabin, Alessio Bax | A♭ Major | 0 | 4B | 126 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Piano Sonata No. 4 in A minor, D.537: III. Allegro vivace | Franz Schubert, Daniel Barenboim | G Major | 0 | 9B | 148 BPM | ||
10 Cantos populares: No. 1. — | Carlos Guastavino, Mirian Conti | F Major | 0 | 7B | 68 BPM |
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