Worthy Is The Lamb That Was Slain-Amen - London Philharmonic Orchestra Information

Acousticness: 98%
Danceability: 31%
Energy: 32%
Instrumentalness: 70%
Liveness: 18%
Loudness: 76%
Speechiness: 4%
Valence: 23%
Popularity: 30%
Loudness: -14.105 dB

Summary

London Philharmonic Orchestra's 'Worthy Is The Lamb That Was Slain-Amen' came out on May 28, 2018. Since Worthy Is The Lamb That Was Slain-Amen is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in London Philharmonic Orchestra's "Handel's Messiah" album is number 7 out of 7. Based on our statistics, Worthy Is The Lamb That Was Slain-Amen's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Worthy Is The Lamb That Was Slain-Amen BPM

We consider the tempo marking of Worthy Is The Lamb That Was Slain-Amen by London Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.

Worthy Is The Lamb That Was Slain-Amen Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
O Come, Emmanuel	Salisbury Cathedral Choir, Simon Lole	G Major	2	9B	85 BPM
Alleluia (Pachelbel’s Canon)	Johann Pachelbel, The Priests, Allan Wilson, Slovak National Symphony Orchestra	D Major	4	10B	104 BPM
Messiah / Part 2: "All they that see him...He trusted in God"	George Frideric Handel, Philip Langridge, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner	F Minor	2	4A	124 BPM
Exultate Deo	Alessandro Scarlatti, Traditional, Skruk, Per Oddvar Hildre	C Major	2	8B	77 BPM
Let all mortal flesh keep silence (Picardy)	Stephen Jackson, Choir of King's College, Cambridge, Stephen Cleobury, Benjamin Bayl	G Major	1	9B	130 BPM
Tell out, my soul	Huddersfield Choral Society	D Major	2	10B	112 BPM
Messiah, HWV 56 / Pt. 1: "And The Glory Of the Lord"	George Frideric Handel, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner	E Major	2	12B	146 BPM
Panis Angelicus, Op.12/V	César Franck, Luciano Pavarotti, Wandsworth School Boys Choir, National Philharmonic Orchestra, Kurt Herbert Adler	A Major	2	11B	75 BPM
Amazing Grace (arr. J. Rutter)	John Rutter, Traditional, The Cambridge Singers, Thelma Owen	B Major	1	1B	167 BPM
And The Glory Of The Lord	London Philharmonic Orchestra	E Major	4	12B	71 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.5698857307434082

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