"Panis Angelicus, Op.12/V" by César Franck, Luciano Pavarotti, Wandsworth School Boys Choir, National Philharmonic Orchestra, Kurt Herbert Adler was released on January 1, 1976. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "O Holy Night". In this album, this song's track order is #3. Panis Angelicus, Op.12/V is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Panis Angelicus, Op.12/V by César Franck, Luciano Pavarotti, Wandsworth School Boys Choir, National Philharmonic Orchestra, Kurt Herbert Adler having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Gaelic Blessing | John Rutter, Michael Leighton Jones, Joshua van Konkelenberg, The Choir of Trinity College, Melbourne | E Major | 1 | 12B | 80 BPM | ||
Hostias | Luciano Pavarotti | F♯ Major | 1 | 2B | 72 BPM | ||
Guten Abend, gut' Nacht (Lullaby) | Andreas Scholl, Tamar Halperin | B♭ Major | 1 | 6B | 79 BPM | ||
Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Choir of King's College, Cambridge, James Vivian, Stephen Cleobury | D Major | 1 | 10B | 99 BPM | ||
Santa Lucia | Mario Lanza | E♭ Major | 3 | 5B | 80 BPM | ||
The Nutcracker (Suite), Op. 71a, TH. 35: IIe. Chinese Dance (Tea) | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich | F Major | 1 | 7B | 113 BPM | ||
Fantasia On Christmas Carols | Ralph Vaughan Williams, Hervey Alan, Choir of King's College, Cambridge, London Symphony Orchestra, Sir David Willcocks | A Major | 2 | 11B | 85 BPM | ||
Ave Maria - Giulio Caccini Version | Giulio Caccini, Vásáry André | A♭ Minor | 2 | 1A | 101 BPM | ||
Part II, Scene 7: Hallelujah | George Frideric Handel, Sir Thomas Beecham, John McCarthy, Royal Philharmonic Orchestra | F♯ Major | 1 | 2B | 115 BPM | ||
Gloria a te, Cristo Gesù - Remastered | Andrea Bocelli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Coro dell'Accademia Nazionale Di Santa Cecilia, Myung-Whun Chung | B♭ Major | 4 | 6B | 71 BPM |
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