Alonso Mudarra, Victoria de los Ángeles, Graciano Tarragó's 'Mudarra: Libros de música en cifra para vihuela: Villancico I. "Dime a do tienes las mientes"' had a release date set for October 6, 2023. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Songs of Andalusia. Music from the Middle Ages and Renaissance". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. The popularity of Mudarra: Libros de música en cifra para vihuela: Villancico I. "Dime a do tienes las mientes" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mudarra: Libros de música en cifra para vihuela: Villancico I. "Dime a do tienes las mientes" by Alonso Mudarra, Victoria de los Ángeles, Graciano Tarragó having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gagliarda | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | G Major | 2 | 9B | 77 BPM | ||
Fantasy For 2 Trebles And Bass (From "The Broken Consort") | Matthew Locke, John Holloway, Monika Baer, Martin Zeller | B Major | 1 | 1B | 105 BPM | ||
Fantasia que contrahaze la harpa en la manera de Ludovico (Arr. North) | Alonso Mudarra, Nigel North | F♯ Major | 0 | 2B | 88 BPM | ||
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
Toccata & Fugue in D minor, BWV565 | Johann Sebastian Bach, Edin Karamazov | E Minor | 2 | 9A | 91 BPM | ||
Canario | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 1 | 2B | 96 BPM | ||
Lute Sonata No. 6: III. Sarabanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 89 BPM | ||
Contrappunto Primo B.M. | Vincenzo Galilei, Massimo Lonardi | F Major | 0 | 7B | 137 BPM | ||
Folies d'Espagne | Jacques Gallot, Catherine Liddell | A♭ Minor | 0 | 1A | 93 BPM | ||
Zappay [lo campo] | Capella de Ministrers, Carles Magraner | C Major | 3 | 8B | 115 BPM |