Silvius Leopold Weiss, Lutz Kirchhof made "Suite in A Major (L'Esprit italien): VI. Rondeau" available on 1992. With Suite in A Major (L'Esprit italien): VI. Rondeau being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weiss: Lute Works, Vols. I & II by Silvius Leopold Weiss, Lutz Kirchhof. The song's track number on the album is #6 out of 47 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Suite in A Major (L'Esprit italien): VI. Rondeau is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Suite in A Major (L'Esprit italien): VI. Rondeau by Silvius Leopold Weiss, Lutz Kirchhof has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Suite in A Major (L'Esprit italien): VI. Rondeau being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata No. 3 in C Major: III. Amoroso | Alessandro Scarlatti, Guadalupe López-Íñiguez, Markku Luolajan-Mikkola, Olli Hyyrynen | D♭ Major | 2 | 3B | 120 BPM | ||
Canarios: Canarios | Giovanni Girolamo Kapsberger, Les Kapsber'girls, Albane Imbs | E Major | 0 | 12B | 107 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Prelude in E-Flat Major | Silvius Leopold Weiss, Jakob Lindberg | D♭ Major | 0 | 3B | 154 BPM | ||
La vignon | Monsieur de Sainte-Colombe, Hille Perl | G Major | 1 | 9B | 115 BPM | ||
Aria di Firenze per la C | Giovanni Paolo Foscarini, Ensemble Kapsberger, Rolf Lislevand | D Major | 2 | 10B | 114 BPM | ||
Guitar Quintet No. 4 in D Major, G. 448: I. Pastorale | Luigi Boccherini, José Miguel Moreno, La Real Cámara | A♭ Major | 0 | 4B | 110 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | ||
Fantasia I | Luis de Milán, Shirley Rumsey | G Minor | 0 | 6A | 112 BPM | ||
Canzona ottava a basso solo "detta l’ambitiosa" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Minor | 2 | 6A | 127 BPM |
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