Debussy: 12 Études, CD 143, L. 136: No. 12, Pour les accords
Claude Debussy, Walter Gieseking
Debussy: Piano Works
4:58 1953
BPM
93
Key
F♯ Major
Camelot
2B

Embed

Share Link

Debussy: 12 Études, CD 143, L. 136: No. 12, Pour les accords - Claude Debussy, Walter Gieseking Information

Acousticness
100%
Danceability
53%
Energy
9%
Instrumentalness
94%
Liveness
7%
Loudness
66%
Speechiness
13%
Valence
6%
Popularity
Loudness
-20.355 dB

Summary

"Debussy: 12 Études, CD 143, L. 136: No. 12, Pour les accords" by Claude Debussy, Walter Gieseking was released on 1953. With this song being about 5 minutes long, at 4:58, "Debussy: 12 Études, CD 143, L. 136: No. 12, Pour les accords" by Claude Debussy, Walter Gieseking is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 48 out of 74 in Debussy: Piano Works by Claude Debussy, Walter Gieseking. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Debussy: 12 Études, CD 143, L. 136: No. 12, Pour les accords is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Debussy: 12 Études, CD 143, L. 136: No. 12, Pour les accords BPM

The tempo marking of Debussy: 12 Études, CD 143, L. 136: No. 12, Pour les accords by Claude Debussy, Walter Gieseking is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Debussy: 12 Études, CD 143, L. 136: No. 12, Pour les accords Key

F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Piano Concerto No. 2 in C Minor, Op. 18: 2. Adagio sostenuto by Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael FrancisPiano Concerto No. 2 in C Minor, Op. 18: 2. Adagio sostenutoSergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael FrancisE Major112B141 BPM
Capriccio brillant, Op. 22: Andante by Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony OrchestraCapriccio brillant, Op. 22: AndanteFelix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony OrchestraB Major01B91 BPM
Was it a Dream?, Op. 37, No. 4 by Jean Sibelius, Yo-Yo Ma, Kathryn StottWas it a Dream?, Op. 37, No. 4Jean Sibelius, Yo-Yo Ma, Kathryn StottA♭ Minor11A74 BPM
Symphony No. 9 in E Minor, Op. 95 Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro moltoAntonín Dvořák, New York Philharmonic, Alan GilbertE Minor19A125 BPM
Romanian Folk Dances, Sz 56: III. Pe-loc - Andante by Béla Bartók, Andrew RangellRomanian Folk Dances, Sz 56: III. Pe-loc - AndanteBéla Bartók, Andrew RangellC Major08B88 BPM
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse by Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri BashmetSerenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valsePyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri BashmetG Major19B66 BPM
13 Preludes, Op. 32: No. 5 in G Major. Moderato by Sergei Rachmaninoff, Idil Biret13 Preludes, Op. 32: No. 5 in G Major. ModeratoSergei Rachmaninoff, Idil BiretA♭ Minor31A111 BPM
Lied ohne Worte in F-Sharp Minor, Op. 67/2 by Felix Mendelssohn, Khatia BuniatishviliLied ohne Worte in F-Sharp Minor, Op. 67/2Felix Mendelssohn, Khatia BuniatishviliF♯ Minor111A75 BPM
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) by Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano)Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-MasonA Major111B89 BPM
6 Impromptus, Op. 5: Impromptu V by Jean Sibelius, Leif Ove Andsnes6 Impromptus, Op. 5: Impromptu VJean Sibelius, Leif Ove AndsnesB Minor010A72 BPM
ISRC
GBAYC1102313
Label
L-M Records/RCA Records

Section: 0.6711485385894775

End: 0.6757721900939941