On August 1, 2009, the song "Preludio II" was released by Nicola Matteis, Gli Incogniti, Amandine Beyer. With Preludio II being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Nicola Matteis, Gli Incogniti, Amandine Beyer's "Matteis: False Consonances of Melancholy" album is number 18 out of 40. On top of that, France appears to be the country where this track was created. In terms of popularity, Preludio II is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Preludio II by Nicola Matteis, Gli Incogniti, Amandine Beyer to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio in E-Flat Major for Viola d’amore, Bass Chalumeau & Continuo: I. Largo | Christoph Graupner, Hélène Plouffe, Mark Simons, David Jacques, Erin Helyard, Jacques-Olivier Chartier, Chloe Meyers, Amanda Keesmaat, Sophie Larivière, Olivier Laquerre | E Major | 0 | 12B | 116 BPM | ||
Passamezzo Antico: Zarabanda (Recercada V) | Diego Ortiz, Jordi Savall | F Major | 1 | 7B | 112 BPM | ||
29 Partite sopra l'aria della Folia (Arr. for Recorder, Cello, Harpsichord & Guitar by D. Oberlinger) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | D♭ Minor | 2 | 12A | 129 BPM | ||
Trios Pour Le Coucher Du Roi - Symphony | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Trio Sonata in F Major, TWV 42:F6: II. Largo | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | G Minor | 4 | 6A | 120 BPM | ||
Cello Sonata in D Minor, Op. 5, No. 2: I. Andante | Francesco Geminiani, George Ross, Alastair Ross | E Major | 0 | 12B | 86 BPM | ||
Sonatae Violino Solo (1681): Sonata No. 2 in D | Heinrich Ignaz Franz von Biber, John Holloway | D♭ Minor | 3 | 12A | 124 BPM | ||
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | ||
Chamber Sonata No. 4 in G Minor: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | D Minor | 3 | 7A | 99 BPM | ||
A Sonata of Scots Tunes: IV. Cromlit's Lilt (Largo) | James Oswald, La Rêveuse, Florence Bolton, Benjamin Perrot | B Major | 2 | 1B | 143 BPM |
Section: 0.5753753185272217
End: 0.5802333354949951