"Concerto for Piano and Chamber Orchestra No. 2: I." by Lee Hyla, Aleck Karis, William Purvis was released on January 1, 1996. Since Concerto for Piano and Chamber Orchestra No. 2: I. is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Lee Hyla, Speculum Musicae's "Lee Hyla: We Speak Etruscan" album is number 7 out of 10. Concerto for Piano and Chamber Orchestra No. 2: I. is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Piano and Chamber Orchestra No. 2: I. by Lee Hyla, Aleck Karis, William Purvis to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Blå Skygge - Blue Shadow: Preludium | Yngve Slettholm, Vegard Landaas, Sidsel | D♭ Major | 0 | 3B | 150 BPM | ||
Cyberpunk Enlightenment | Mina Gaid | A♭ Minor | 2 | 1A | 96 BPM | ||
HFPSQ | KNOXVILLETRACKZ | A Minor | 0 | 8A | 76 BPM | ||
Sonata for Violin and Cello - Très Vif | Lucia Micarelli | E Major | 3 | 12B | 97 BPM | ||
Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
Jackson Pollock (1950-51) for two Cellos: II Pollock Paints | Morton Feldman, Lucas Fels, Tobias Moster | E Minor | 0 | 9A | 64 BPM | ||
Sike-Edelic Soundwaves | Jane the Ripper | G Major | 0 | 9B | 129 BPM | ||
Four Pieces from a Distance: No. 4, Children of the Heavenly Father/Amen | Håkon Daniel Nystedt, Oslo Kammerkor, NyNorsk Messingkvintett, Anders Eidsten Dahl | C Major | 0 | 8B | 70 BPM | ||
Ode to Odessa | Eva Wassermann, Luigi Magistrelli | E Major | 1 | 12B | 80 BPM | ||
Sinfonia dos orixás: II. Manifestação dos orixás: No. 3, Oxalá I: O canto da luz | Almeida Prado, Orquestra Sinfônica Do Estado De São Paulo, Neil Thomson | G Minor | 0 | 6A | 76 BPM |
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