"Mondonville : De profundis : VII" by Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants was released on October 28, 1997. With this song being about 5 minutes long, at 4:37, "Mondonville : De profundis : VII" by Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jean-Joseph Cassanéa De Mondonville, William Christie's "Mondonville : Grands Motets" album is number 21 out of 21. Based on our statistics, Mondonville : De profundis : VII's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mondonville : De profundis : VII by Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate No.6 (Six Sonates en symphonies op. 3): 1. Allegro | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | A♭ Major | 3 | 4B | 111 BPM | ||
Salve Regina: No. 5., Et Jesu benedictum | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Symphony in G Major, H. 657, Wq. 182/1: I. Allegro di molto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VI. Minuet | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 85 BPM | ||
Armide, LWV 71, Act II Scene 3 & 4: Plus j'observe ces lieux (Renaud, une Naïade, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Cyril Auvity, Anouk Defontenay, Chœur de l'Opéra de Dijon | C Major | 3 | 8B | 112 BPM | ||
Les Caractères de la Danse: XIV. Sonate | Jean-Féry Rebel, Jordi Savall | D♭ Major | 6 | 3B | 138 BPM | ||
Nisi Dominus: Air: Non confundetur (Bass, Chorus) | Jean-Joseph Cassanéa De Mondonville, Alain Buet, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | G Minor | 1 | 6A | 83 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Chœur. Printemps dans nos bocages | Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko, Chœur De Chambre De Namur | F Minor | 4 | 4A | 141 BPM | ||
Beatus vir qui timet in F Major: VI. Gloria | Leonardo Leo, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | E Major | 1 | 12B | 93 BPM | ||
Ave maris stella | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Elizabeth Nurse, Colin Danskin, Daniel Tate | B Minor | 2 | 10A | 71 BPM |
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