Peter Schickele, Newton Wayland, The Greater Hoople Area Off-Season Philharmonic, The Okay Chorale, Pamela South's ' "Oedipus Tex, S. 150: IIIa. Duet with Chorus. My Heart" was released on its scheduled release date, September 1, 1990. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "P.D.Q. Bach: Oedipus Tex & Other Choral Calamities". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Oedipus Tex, S. 150: IIIa. Duet with Chorus. My Heart's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Oedipus Tex, S. 150: IIIa. Duet with Chorus. My Heart by Peter Schickele, Newton Wayland, The Greater Hoople Area Off-Season Philharmonic, The Okay Chorale, Pamela South having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio for Glass Harmonica, K. 617a | Wolfgang Amadeus Mozart, Vienna Glass Armonica Duo | E♭ Minor | 0 | 2A | 67 BPM | ||
Générique fin | Philippe Sarde | G Minor | 2 | 6A | 122 BPM | ||
Opening Music / Loving Couples / The Ruined Church | Magnet | C Minor | 1 | 5A | 177 BPM | ||
Whispering Winds | SERRENTO | C Major | 1 | 8B | 126 BPM | ||
Fairytale Suite: The Ice Palace: Finale | David Lyon, Royal Ballet Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 143 BPM | ||
Never Fails | Marc Ezenge | E♭ Minor | 1 | 2A | 78 BPM | ||
Belshazzar's Feast, JS 48: Act I: Alla marcia | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | A Major | 2 | 11B | 69 BPM | ||
Fargo | Carter Burwell | E Minor | 1 | 9A | 85 BPM | ||
The Way Things Are | Nigel Westlake | A♭ Major | 1 | 4B | 125 BPM | ||
La doña del hotel | Gabriel Andrés Gallegos, Budapest Art Orchestra | E Major | 0 | 12B | 84 BPM |