Charles Dancla, Bayreuth-Festival-Violinquartett's ' "Ah! Vous dirai-je, Maman, Variations for Four Violins, Op. 161: VI. 4. Variation" was released on its scheduled release date, November 26, 2010. With This song being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Telemann, Mozart, Kirchner, Dancla, Lachner, Kupkovič & Bacewicz: Klangreise Für Vier Violinen". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. Based on our statistics, Ah! Vous dirai-je, Maman, Variations for Four Violins, Op. 161: VI. 4. Variation's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Ah! Vous dirai-je, Maman, Variations for Four Violins, Op. 161: VI. 4. Variation by Charles Dancla, Bayreuth-Festival-Violinquartett having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abbey Road concerto for Violin and Orchestra: I. Ouverture | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 2 | 11B | 95 BPM | ||
Five Melodies, Op. 35b: II. Lento, ma non Troppo | Sergei Prokofiev, Stefan Hempel, Daniel Seroussi | D Major | 1 | 10B | 67 BPM | ||
5 Pieces en concert (arr. P. Bazelaire for cello and strings): III. Tromba | Paul Bazelaire, François Couperin, János Starker, Santa Fe Festival Orchestra | G Major | 3 | 9B | 64 BPM | ||
Petite école de la mélodie, Suite No. 2, Op. 123: No. 6, Introduction. Rondo | Charles Dancla, Monika Stauss Joensen, Birgitte Schnakenburg | D Major | 2 | 10B | 90 BPM | ||
Concerto for cello and orchestra no. 1 in A Minor, Op. 14 in E Flat Major: I. Allegro moderato | Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | A Minor | 2 | 8A | 130 BPM | ||
Butterfly Lovers Violin Concerto: II. Allegro | Chen Gang, He Zhanhao, Chloe Chua, Singapore Symphony Orchestra, Rodolfo Barráez | A Major | 2 | 11B | 148 BPM | ||
Violin Concerto in D Major, Op. 2 No. 2: II. Adagio | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | A Major | 0 | 11B | 86 BPM | ||
Veinte Estudios Artísticos de Concierto para Violín Con Acompañamiento de un Segundo Violín: 1º Cuaderno: VI. Estudio del Staccato a la Cuerda y Volante | Jesús De Monasterio, Manuel Guillén, Pablo Suarez | E♭ Major | 1 | 5B | 95 BPM | ||
Danse grecque ancienne da Chants et rythmes d'Asie No. 43 | G. I. Gurdjieff, Anna Noferini, Luigi Cozzolino | C Major | 3 | 8B | 75 BPM | ||
Divertimento in B-Flat Major, K.287, Lodron Night Music No. 2: IV. Adagio | Wolfgang Amadeus Mozart, Czech Philharmonic Chamber Orchestra, Vahan Mardirossian | E♭ Major | 1 | 5B | 167 BPM |