"Lieder Ohne Worte, Op. 52: No. 4, Sadness of Soul - Welte-Mignon 228" by Felix Mendelssohn, Peter Phillips, Arthur Friedheim was released on February 29, 2024. The duration of Lieder Ohne Worte, Op. 52: No. 4, Sadness of Soul - Welte-Mignon 228 is about 3 minutes long, at 3:24. Based on our data, "Lieder Ohne Worte, Op. 52: No. 4, Sadness of Soul - Welte-Mignon 228" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 24 in Caprice. Heritage Piano Music of Dvořák, Mendelssohn and Ravel by Xaver Scharwenka, Felix Mendelssohn, Antonín Dvořák, Maurice Ravel, Anton Rubinstein. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Lieder Ohne Worte, Op. 52: No. 4, Sadness of Soul - Welte-Mignon 228 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lieder Ohne Worte, Op. 52: No. 4, Sadness of Soul - Welte-Mignon 228 by Felix Mendelssohn, Peter Phillips, Arthur Friedheim is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
Piano Trio in G Minor, Op. 17: III. Andante - più animato | Clara Schumann, Ragna Schirmer, Iason Keramidis, Benedict Klöckner | G Major | 1 | 9B | 110 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
6 Pezzi, P. 44: No. 3. Notturno | Ottorino Respighi, Konstantin Scherbakov | F♯ Major | 0 | 2B | 87 BPM |
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