- BPM
- 77
- Key
- F Major
- Camelot
- 7B
Pater noster - Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig Information
- Acousticness
- 97%
- Danceability
- 10%
- Energy
- 2%
- Instrumentalness
- 67%
- Liveness
- 7%
- Loudness
- 56%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 2%
- Loudness
- -26.316 dB
Summary
"Pater noster" by Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig was released on January 1, 2005. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 25 out of 25 in Charles Gounod: Musica sacra by Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Pater noster is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Pater noster BPM
The tempo marking of Pater noster by Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Pater noster Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | |
 | Busoni: Ich ruf' zu dir (After Bach's chorale prelude, BWV 639), BV B27 No. 5 | Ferruccio Busoni, Alexandre Tharaud | F Minor | 0 | 4A | 66 BPM | |
 | Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII. Andante cantabile | Sergei Rachmaninoff, Cecile Ousset, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | C Major | 2 | 8B | 106 BPM | |
 | Sinfonia for Strings in G major, RV 149: I. Allegro molto | Karoly Botvay | D Major | 2 | 10B | 125 BPM | |
 | Faust, CG 4, ICG 61, Act II: "Merci de ta chanson!" (Chœur, Valentin, Wagner, Méphistophélès, Siebel) | Charles Gounod, Metropolitan Opera Orchestra, Fausto Cleva, Metropolitan Opera Chorus, Frank Guarrera, Lawrence Davidson, Cesare Siepi | E Major | 2 | 12B | 124 BPM | |
| The 4 Seasons: Violin Concerto in F minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): II. Largo | Karoly Botvay | B♭ Major | 0 | 6B | 68 BPM | |
 | Requiem, Op. 48: VIII. In Paradisum | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, La Maîtrise de Paris | D Major | 1 | 10B | 74 BPM | |
 | O ma belle rebelle | Charles Gounod, Christian-Pierre La Marca | E Minor | 0 | 9A | 80 BPM | |
 | The Seasons, Op. 37a, TH 135: No. 6, June (Barcarolle) | Pyotr Ilyich Tchaikovsky, Vassily Primakov | E Major | 0 | 12B | 89 BPM | |
 | Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM |
- ISRC
- DEB110401525
- Label
- L-M Records/RCA Records
Section: 0.7398483753204346
End: 0.7438976764678955