Joseph Haydn, Natalia Gutman, Mischa Maisky, Chamber Orchestra of Europe's 'Cello Concerto in C Major, Hob. VIIb:1: I. Moderato - Cadenza: Natalia Gutman' came out on January 1, 1987. Since Cello Concerto in C Major, Hob. VIIb:1: I. Moderato - Cadenza: Natalia Gutman is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn, Mischa Maisky, Chamber Orchestra of Europe's "Haydn: Cello Concertos Nos.1 & 2; Violin (Cello) Concerto No.4" album is number 1 out of 9. Cello Concerto in C Major, Hob. VIIb:1: I. Moderato - Cadenza: Natalia Gutman is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Concerto in C Major, Hob. VIIb:1: I. Moderato - Cadenza: Natalia Gutman by Joseph Haydn, Natalia Gutman, Mischa Maisky, Chamber Orchestra of Europe to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | ||
String Quartet No. 1 in G Major, K. 80: III. Menuetto | Eder Quartet | G Major | 0 | 9B | 124 BPM | ||
String Octet in B-Flat Major: III. Allegro molto | Max Bruch, Zsolt Fejervari, Kodály Quartet, Auer String Quartet | F Minor | 0 | 4A | 124 BPM | ||
Albinoni: Concerto In B Flat, Op 7 No.3 - I Allegro | Tomaso Albinoni, Tine Thing Helseth | B♭ Major | 3 | 6B | 113 BPM | ||
Clarinet Quintet in B Minor, Op. 115: III. Andantino - Presto non assai, ma con sentimento | Johannes Brahms, Martin Fröst, Janine Jansen, Boris Brovtsyn, Maxim Rysanov, Torleif Thedéen | D Major | 2 | 10B | 105 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction - Thema | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | B♭ Minor | 1 | 3A | 136 BPM | ||
Sonata in E Major, L. 21 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Caprice Basque, Op. 24 | Pablo de Sarasate, Julia Fischer, Milana Chernyavska | A Minor | 2 | 8A | 106 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM |
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