"Hansel and Gretel: Evening Prayer" by Engelbert Humperdinck, The London Horn Sound, Geoffrey Simon was released on February 3, 2009. The duration of Hansel and Gretel: Evening Prayer is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Hansel and Gretel: Evening Prayer's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "The London Horn Sound". In this album, this song's track order is #3. Hansel and Gretel: Evening Prayer is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hansel and Gretel: Evening Prayer by Engelbert Humperdinck, The London Horn Sound, Geoffrey Simon having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 3 | 8B | 102 BPM | ||
Wagner: Lohengrin, Act 3: "Treulich geführt ziehet dahin" (Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin | C Minor | 2 | 5A | 119 BPM | ||
Violin Concerto No. 2 in A Major, Op. 5: II. Largo | Joseph Boulogne Chevalier de Saint-Georges, Anne-Sophie Mutter, Mutter's Virtuosi | D Minor | 1 | 7A | 104 BPM | ||
Laut verkünde unsre Freude, K.623: 1a. Coro - "Laute verkünde unsre Freude" | Wolfgang Amadeus Mozart, Edinburgh Festival Chorus, London Symphony Orchestra, István Kertész | D Major | 2 | 10B | 99 BPM | ||
Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: Qui suis-je? Du théâtre antique (L'Opinion Publique) | Jacques Offenbach, Eva Podles/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | F Minor | 0 | 4A | 93 BPM | ||
Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | C Major | 2 | 8B | 80 BPM | ||
Sibelius: 2 Pieces from Kuolema, Op. 44: No. 1, Valse triste | Jean Sibelius, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 0 | 9B | 55 BPM | ||
Hänsel and Gretel: Prelude | Engelbert Humperdinck, Ileana Cotrubas, Frederica von Stade, Kiri Te Kanawa, Christa Ludwig, Sir John Pritchard | F Major | 2 | 7B | 84 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 2, Waltz | Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra | E♭ Major | 2 | 5B | 111 BPM | ||
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM |
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