"Kuru a Laba" by Traditional, Rewasese Entertainment Group, Vuniani Ratu was released on January 1, 2005. With Kuru a Laba being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Traditional, Nawaka Entertainment Group, Rewasese Entertainment Group, Emori Tako Aria, Vuniani Ratu's "Music of the Fiji Islands" album is number 19 out of 23. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Kuru a Laba is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kuru a Laba by Traditional, Rewasese Entertainment Group, Vuniani Ratu to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Asperges me: Messe à la ville "Repons" | Louis-Nicolas Clérambault, Ensemble Polyphonique de Montparnasse, Victor Martin, Gaston Litaize | G Major | 0 | 9B | 75 BPM | ||
Messiah, HWV 56: No. 12, Chorus "For unto us a Child is born" | George Frideric Handel, Andrew Davis, Toronto Symphony Orchestra, Toronto Mendelssohn Choir | G Minor | 3 | 6A | 131 BPM | ||
On Flute I Play my Sad Verses | St. Petersburg Optina Pustyn Male Choir | B♭ Major | 2 | 6B | 89 BPM | ||
The English Dancing Master: An Italian Rant in G Minor | John Playford, Flautando Köln | E♭ Minor | 2 | 2A | 128 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Pavane, Gaillarde & Branle de Champagne | Claude Gervaise, Enrike Solinís, Euskal Barrokensemble | G Minor | 2 | 6A | 85 BPM | ||
Our Father | St.Petersburg Chamber Choir | E♭ Minor | 1 | 2A | 126 BPM | ||
O Salve Regina | Alice Tegner, Lund Korallerna Girls Choir, Lund Cantores Cathedrales, Eva Svanholm Bohlin | G Minor | 1 | 6A | 82 BPM | ||
The Twelve Brigands | Traditional, St.Petersburg Chamber Choir, Nikolai Korniev, Tim Storms | G Major | 0 | 9B | 97 BPM | ||
Nocturnes: III. Sure On This Shining Night (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 105 BPM |
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