The Boy From... - Millicent Martin Information

Acousticness
92%
Danceability
70%
Energy
15%
Instrumentalness
0%
Liveness
9%
Loudness
68%
Speechiness
17%
Valence
52%
Popularity
Loudness
-19.11 dB

Summary

Millicent Martin made "The Boy From..." available on 1976. The duration of The Boy From... is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. The Boy From...'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Side by Side by Sondheim (Original London Cast Recording)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, The Boy From...'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

The Boy From... BPM

With The Boy From... by Millicent Martin having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

The Boy From... Key

This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Plant a Radish by Hugh Thomas, William LarsenPlant a RadishHugh Thomas, William LarsenD♭ Major33B100 BPM
The Sadder-But-Wiser Girl for Me by Meredith WillsonThe Sadder-But-Wiser Girl for MeMeredith WillsonC Major38B109 BPM
Getting Married Today by Millicent Martin, Julia McKenzie, David KernanGetting Married TodayMillicent Martin, Julia McKenzie, David KernanF♯ Major32B134 BPM
Give My Regards to Broadway by Joel Grey, George M! EnsembleGive My Regards to BroadwayJoel Grey, George M! EnsembleC Major58B137 BPM
Lot's Wife by Tonya PinkinsLot's WifeTonya PinkinsF Major27B79 BPM
Can That Boy Foxtrot! by Millicent Martin, Julia McKenzieCan That Boy Foxtrot!Millicent Martin, Julia McKenzieA Minor18A124 BPM
Wunderbar by Broadway Cast RecordingWunderbarBroadway Cast RecordingA Minor28A97 BPM
Those Were the Good Old Days by Ray WalstonThose Were the Good Old DaysRay WalstonD♭ Minor212A124 BPM
Johnny One-Note by Gregg Edelman, Judy BlazerJohnny One-NoteGregg Edelman, Judy BlazerE♭ Major45B113 BPM
With Every Breath I Take (Duet) by James Naughton, Kay McClellandWith Every Breath I Take (Duet)James Naughton, Kay McClellandF♯ Minor111A79 BPM
ISRC
USBC17600383
Label
L-M Records/RCA Records

Section: 1.3219146728515625

End: 1.3269014358520508