On August 18, 2021, the song "The Sadder-But-Wiser Girl for Me" was released by Meredith Willson. With The Sadder-But-Wiser Girl for Me being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "The Music Man (Original Broadway Cast)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Australia. In terms of popularity, The Sadder-But-Wiser Girl for Me is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Sadder-But-Wiser Girl for Me by Meredith Willson having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Yesterday I Loved You | Lewis Cleale, Jane Krakowski | B♭ Major | 3 | 6B | 83 BPM | ||
Love Is Always Lovely in the End | 'The Drowsy Chaperone' Original Broadway Cast | C Minor | 2 | 5A | 58 BPM | ||
So In Love (Reprise) | Broadway Cast Recording | G Major | 2 | 9B | 82 BPM | ||
Anatevka | Paul Lipson, Zero Mostel, Beatrice Arthur, Michael Granger, Leonard Frey, Maria Karnilova, Fiddler on the Roof Orchestra | G Major | 1 | 9B | 98 BPM | ||
When Federic Was a Little Lad | The Pirates Of Penzance | F Minor | 3 | 4A | 110 BPM | ||
Long as I'm Here with You | Sheryl Lee Ralph, Thoroughly Modern Millie Ensemble | D Major | 5 | 10B | 111 BPM | ||
Success | Peter Friedman, Mike O'Carroll, Jim Corti, Judy Kaye, Ragtime Ensemble | B♭ Major | 3 | 6B | 136 BPM | ||
1776: The Lees of Old Virginia | Sherman Edwards, Ronald Holgate, Rex Everhart, William Daniels, Peter Howard | F Major | 5 | 7B | 116 BPM | ||
Iowa Stubborn | Meredith Willson | G Major | 4 | 9B | 113 BPM | ||
Kiss Me, Kate (Finale) | Broadway Cast Recording | B♭ Major | 5 | 6B | 78 BPM |
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