Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 70.3 & Kapitel 71.1 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 70.3 & Kapitel 71.1 - Wie Google tickt - How Google Works is about 3 minutes long, at 3:27. Based on our data, "Kapitel 70.3 & Kapitel 71.1 - Wie Google tickt - How Google Works" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #150 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 70.3 & Kapitel 71.1 - Wie Google tickt - How Google Works is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Kapitel 70.3 & Kapitel 71.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 70.3 & Kapitel 71.1 - Wie Google tickt - How Google Works being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Mass No. 2 in G Major, D. 167: VI. Agnus Dei | Franz Schubert, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus, William Stone, Dawn Upshaw, David Gordon | G Major | 0 | 9B | 129 BPM | ||
La rosa y el sauce | Tamara Radjenovic, Makris Symphony Orchestra | F Major | 0 | 7B | 106 BPM | ||
Requiem aeternam: Recordare | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 1 | 7A | 121 BPM | ||
Psalm 42, Op. 42, MWV A15: Aria "Meine Seele dürstet nach Gott" - Recitativo "Meine Tränen sind meine Speise" | Felix Mendelssohn, Eiddwen Harrhy, Orchestre de chambre de Paris, Philippe Herreweghe | B♭ Minor | 0 | 3A | 121 BPM | ||
Norma: Casta Diva - Remasterizado 2003 | Tania Libertad | F Major | 4 | 7B | 101 BPM | ||
Magnificat in D Major, BWV 243: I. Magnificat anima mea Dominum | Johann Sebastian Bach, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | A Minor | 2 | 8A | 137 BPM | ||
Walking with an Angel | Laura Millocca, Ernesto Vallini, Valhalla Orquestra, Greg Dramund | F Minor | 1 | 4A | 72 BPM | ||
Charpentier: Te Deum, H. 146: VI. Tu devicto mortis aculeo | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus | A Minor | 2 | 8A | 73 BPM | ||
Hidden Faces | Karl Jenkins, Kathryn Rudge, World Orchestra For Peace | D♭ Major | 2 | 3B | 93 BPM |
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