Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus's 'Charpentier: Te Deum, H. 146: VI. Tu devicto mortis aculeo' came out on February 9, 2024. With Charpentier: Te Deum, H. 146: VI. Tu devicto mortis aculeo being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 21 in Chrapentier: Te Deum, H. 146 & Magnificat, H. 74 by Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Charpentier: Te Deum, H. 146: VI. Tu devicto mortis aculeo is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Charpentier: Te Deum, H. 146: VI. Tu devicto mortis aculeo by Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] | William Christie | F Minor | 1 | 4A | 94 BPM | ||
Noel Symphony No. 4 in D Minor: II. Allegro | Michel Corrette, Arion Trio | A Minor | 1 | 8A | 174 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Torelli: Trumpet Concerto in D Major: III. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 111 BPM | ||
Evening Hymn, Z.193 | Henry Purcell, Emma Kirkby, Anthony Rooley, Christopher Hogwood | E Minor | 1 | 9A | 71 BPM | ||
Charpentier: Te Deum, H. 146: XII. In Te Domine speravi | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Ann Murray, Dawn Upshaw, John Aler, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Médée, H. 491, Act III: Air et chœur. "L'enfer m'a répondu" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Véronique Gens, Fabien Hyon, Adrien Fournaison | A♭ Major | 3 | 4B | 115 BPM | ||
Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
Médée, H. 491, Act III: Air. "Quel prix de mon amour" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Véronique Gens | C Minor | 2 | 5A | 178 BPM | ||
Te Deum - hobo kwartet | Martin Malto, Marc-Antoine Charpentier, Klassieke Muziek | D Major | 2 | 10B | 75 BPM |
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