On March 1, 2019, the song "12 Studies, Op. 6 (Excerpts Arr. A. Segovia for Guitar): No. 9 in D Minor" was released by Fernando Sor, John Christopher Williams. The duration of 12 Studies, Op. 6 (Excerpts Arr. A. Segovia for Guitar): No. 9 in D Minor is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. 12 Studies, Op. 6 (Excerpts Arr. A. Segovia for Guitar): No. 9 in D Minor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Sor: 20 Etudes & Variations on Theme by Mozart". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Italy. Based on our statistics, 12 Studies, Op. 6 (Excerpts Arr. A. Segovia for Guitar): No. 9 in D Minor's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With 12 Studies, Op. 6 (Excerpts Arr. A. Segovia for Guitar): No. 9 in D Minor by Fernando Sor, John Christopher Williams having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giuliani: Études for Guitar, Le papillon, Larghetto Op. 50, No. 7 | Mauro Giuliani, Elena Casoli | A Minor | 3 | 8A | 130 BPM | ||
Caprice No. 24, Op. 1: Tema - Quasi presto - Variazioni - Finale | Judicaël Perroy | A Minor | 1 | 8A | 90 BPM | ||
Keyboard Sonata in D Minor, K.32/L.423/P.14 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | E Minor | 0 | 9A | 137 BPM | ||
Serie Americana: Vals | Hector Ayala, Victor Villadangos | A Minor | 1 | 8A | 81 BPM | ||
25 Etudes, Op. 38: No. 2 in C Major: Scherzando | Napoléon Coste, Jeffrey McFadden | E Minor | 1 | 9A | 90 BPM | ||
Canción y danza I (transcribed by James Beneteau/Marco Ramelli) | Federico Mompou, Marco Ramelli | A Major | 1 | 11B | 124 BPM | ||
Study in B Minor op. 35 no. 22 | Fernando Sor, Søren Bødker Madsen | E Minor | 0 | 9A | 117 BPM | ||
Canción y danza: Danza No. 1 | Antonio Ruiz Pipó, Wolfgang Weigel | D Major | 2 | 10B | 118 BPM | ||
3 Rondo brillants, Op. 2: No. 2a in A Minor. Andante | Dionisio Aguado, Lorenzo Micheli | A Minor | 0 | 8A | 71 BPM | ||
Studio No. 2 in G Major - for Guitar | Ferdinando Carulli, Bruno Giuffredi | G Major | 1 | 9B | 137 BPM |
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