Silvius Leopold Weiss, Michel Cardin's 'Sonata No. 20 in D Major, WeissSW 26: IV. Aria' came out on January 1, 2015. Sonata No. 20 in D Major, WeissSW 26: IV. Aria is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. This song is part of Weiss: The Complete London Manuscript by Silvius Leopold Weiss, Michel Cardin. The song's track number on the album is #127 out of 231 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Based on our statistics, Sonata No. 20 in D Major, WeissSW 26: IV. Aria's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sonata No. 20 in D Major, WeissSW 26: IV. Aria by Silvius Leopold Weiss, Michel Cardin has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Sonata No. 20 in D Major, WeissSW 26: IV. Aria being at 130 BPM, the half-time would be 65 BPM with a double-time of 260 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in C Major (Weiss) - Andante | Edward Martin and Paul Berget | B Major | 1 | 1B | 86 BPM | ||
Kathrein Bairdie | The Royal Wind Music | E Major | 1 | 12B | 97 BPM | ||
Cuatro Diferencias Sobre Guárdame las Vacas | Luis de Narváez, José Akel | B♭ Major | 2 | 6B | 102 BPM | ||
Lute Sonata No. 34 in D Minor: I. Prelude | Silvius Leopold Weiss, Robert Barto | C Minor | 1 | 5A | 86 BPM | ||
The False Consonances of Musick, Aria I | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
La Canción del Emperador | Luis de Narváez, Dulces Exuviae, Bor Zuljan | F♯ Major | 1 | 2B | 75 BPM | ||
Pavana Con Su Glosa | Antonio de Cabezón, Hespèrion XXI, Jordi Savall | C Major | 1 | 8B | 117 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Parthie in D Minor: I. Fantasia | Silvius Leopold Weiss, Nigel North | G Major | 1 | 9B | 140 BPM | ||
Concerto for 2 Violins in D Minor, Op. 6, No. 10: I. Adagio | Giuseppe Torelli, Berlin Baroque Compagney | E Major | 0 | 12B | 116 BPM |
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