"String Quartet in E Minor, Op. 44, No. 2: III. Andante" by Felix Mendelssohn, Cecilia String Quartet was released on October 16, 2015. String Quartet in E Minor, Op. 44, No. 2: III. Andante is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. The track order of this song in Felix Mendelssohn, Cecilia String Quartet's "Mendelssohn: Op. 44, Nos. 1, 2" album is number 7 out of 8. On top of that, Canada appears to be the country where this track was created. String Quartet in E Minor, Op. 44, No. 2: III. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet in E Minor, Op. 44, No. 2: III. Andante by Felix Mendelssohn, Cecilia String Quartet to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in C Major, Op. 10: Tema con variazioni: Andante con moto | Ernst von Dohnányi, Spectrum Concerts Berlin | C Major | 1 | 8B | 102 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 1, An Robert Schumann | Bedřich Smetana, Jitka Čechová | E Major | 1 | 12B | 136 BPM | ||
La Précieuse (in the style of Louis Couperin) | Fritz Kreisler, Joshua Bell, Paul Coker | D Major | 1 | 10B | 80 BPM | ||
4 Sketches, Op. 4, JB 1:66: No. 1 in F-Sharp Minor, Prelude. Allegro | Bedřich Smetana, Jitka Čechová | F♯ Minor | 1 | 11A | 90 BPM | ||
Horn Trio in E-Flat Major, Op. 40: II. Scherzo (Allegro - Molto meno Allegro) | Johannes Brahms, Isabelle Faust, Alexander Melnikov, Teunis van der Zwart | A Major | 0 | 11B | 88 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Jacqueline du Pré, Daniel Barenboim | B♭ Minor | 2 | 3A | 94 BPM | ||
Sonata in G Minor for Violin & Piano, L. 140: 3. Finale (Très animé) | Claude Debussy, Itzhak Perlman, Vladimir Ashkenazy | E Minor | 2 | 9A | 91 BPM | ||
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: III. Allegro non troppo | Camille Saint-Saëns, Mstislav Rostropovich, Sir Malcolm Sargent, Philharmonia Orchestra | A Minor | 1 | 8A | 83 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM |
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