Barber: 4 Songs, Op. 13: III. "Sure on this shining night" - Samuel Barber, Thomas Allen, Roger Vignoles Information

Acousticness: 99%
Danceability: 31%
Energy: 3%
Instrumentalness: 5%
Liveness: 12%
Loudness: 51%
Speechiness: 5%
Valence: 13%
Popularity: 0%
Loudness: -29.158 dB

Summary

"Barber: 4 Songs, Op. 13: III. "Sure on this shining night"" by Samuel Barber, Thomas Allen, Roger Vignoles was released on 1994. The duration of Barber: 4 Songs, Op. 13: III. "Sure on this shining night" is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Barber: 4 Songs, Op. 13: III. "Sure on this shining night"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 19 in Barber - Vocal and Chamber Works by Samuel Barber, Thomas Allen, Endellion String Quartet, Roger Vignoles. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Barber: 4 Songs, Op. 13: III. "Sure on this shining night"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Barber: 4 Songs, Op. 13: III. "Sure on this shining night" BPM

The tempo marking of Barber: 4 Songs, Op. 13: III. "Sure on this shining night" by Samuel Barber, Thomas Allen, Roger Vignoles is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Barber: 4 Songs, Op. 13: III. "Sure on this shining night" Key

This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Dreaming, Op. 15 No. 3	Amy Beach, Ambache	F Major	0	7B	75 BPM
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto	Johannes Brahms, Berliner Philharmoniker, Claudio Abbado	C Minor	0	5A	101 BPM
Appalachian Spring - 1945 Suite: 1. Very slowly	Aaron Copland, Los Angeles Philharmonic, Zubin Mehta	A Major	0	11B	71 BPM
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro	Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz	D Major	2	10B	126 BPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major	Johannes Brahms, Idil Biret	A♭ Minor	3	1A	111 BPM
Wagner: Albumblatt, WWV 94	Richard Wagner, Renaud Capuçon	A Major	2	11B	87 BPM
Violin Concerto, Op. 14: II. Andante - Instrumental	Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra	E Major	1	12B	102 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	E Major	1	12B	136 BPM
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino	Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly	B♭ Major	1	6B	172 BPM
Thaïs: Médiation	Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster	D Major	0	10B	91 BPM

ISRC: GBAYC9302969
Label: L-M Records/RCA Records

Section: 0.7647013664245605

End: 0.7677011489868164