Steve Reich, The Steve Reich Ensemble, Brad Lubman's 'City Life: III. "It's Been A Honeymoon - Can't Take No Mo"' came out on June 3, 1997. With this song being about 5 minutes long, at 4:47, "City Life: III. "It's Been A Honeymoon - Can't Take No Mo"" by Steve Reich, The Steve Reich Ensemble, Brad Lubman is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Works 1965-1995 by Steve Reich. The song's track number on the album is #5 out of 83 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of City Life: III. "It's Been A Honeymoon - Can't Take No Mo" is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since City Life: III. "It's Been A Honeymoon - Can't Take No Mo" by Steve Reich, The Steve Reich Ensemble, Brad Lubman has a tempo of 196 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With City Life: III. "It's Been A Honeymoon - Can't Take No Mo" being at 196 BPM, the half-time would be 98 BPM with a double-time of 392 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music for 18 Musicians: Section X | Steve Reich | F♯ Minor | 6 | 11A | 111 BPM | ||
The Revd Mustard his Installation Prelude | Nico Muhly, James McVinnie | D Major | 1 | 10B | 108 BPM | ||
Reich/Richter: Opening | Steve Reich, Ensemble Intercontemporain, George Jackson | F♯ Major | 1 | 2B | 94 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
Valencia | Caroline Shaw, Attacca Quartet | F Major | 1 | 7B | 137 BPM | ||
Tears of Unicorn | Masayoshi Fujita | A♭ Minor | 1 | 1A | 78 BPM | ||
Adams: Nixon in China: Act I, Scene 1 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | A Minor | 0 | 8A | 105 BPM | ||
Chemistry | Jon Hassell, Brian Eno | E Minor | 2 | 9A | 108 BPM | ||
China Gates | John Adams, Bruce Brubaker | D♭ Major | 1 | 3B | 152 BPM | ||
Holding Horses | Colleen | A Minor | 3 | 8A | 148 BPM |
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