"Das Glaut zu Speyer - 1989 Digital Remaster" by Ludwig Senfl, The King's Singers was released on 1989. With Das Glaut zu Speyer - 1989 Digital Remaster being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "The King's Singers Madrigal History Tour". In this album, this song's track order is #33. Based on our statistics, Das Glaut zu Speyer - 1989 Digital Remaster's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Das Glaut zu Speyer - 1989 Digital Remaster by Ludwig Senfl, The King's Singers having a BPM of 159 with a half-time of 80 BPM and a double-time of 318 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
No. 133, Psalm Siehe, wie fein und lieblich ists, SWV 48 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg | G Minor | 2 | 6A | 117 BPM | ||
Die Matthäus-Passion, BWV244: Recitativo: Trinket alle daraus | Johann Sebastian Bach, Benedikt Kristjánsson, Ensemble Continuum | B Major | 0 | 1B | 68 BPM | ||
Mout me fu grief li departir / Robin m'aime, Robin m'a / Portare | Adam de la Halle, Tonus Peregrinus, Antony Pitts | G Major | 2 | 9B | 89 BPM | ||
Lachrimae or Seven Tears: IV. Lachrimae tristes | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
The Little Consort, Suite No. 10 in D Minor and D Major: I. Pavan | Matthew Locke, Phantasm, Elizabeth Kenny | E Major | 0 | 12B | 87 BPM | ||
Alleluia, I Heard a Voice | Thomas Weelkes, Consort Of Musicke, Anthony Rooley | B Major | 2 | 1B | 115 BPM | ||
Danserye: Basse danse: No. 1. Dont vient cela – Reprise – Dont vient cela | László Czidra, Tylman Susato, Camerata Hungarica | D Minor | 1 | 7A | 101 BPM | ||
Messe de Barcelone (Barcelone-Bbc, ms. 971): Kyrie | Anonymous Anonymous, Ensemble Gilles Binchois, Dominique Vellard | F Major | 0 | 7B | 73 BPM | ||
Menuet de Poitou de Couprin le père / Autre de Poitou / Menuet de Poitou / Autre de Poitou par Mle de la Chataigneraye / Autre de Poitou / Menuet de Poitou / Menuet d’Anne Philidor | Charles Couperin, Mademoiselle de la Chataigneraye, Anne Danican Philidor, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Trist'Amarilli mia | Philippe Verdelot, Profeti Della Quinta | F♯ Minor | 1 | 11A | 83 BPM |
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