Johann Sebastian Bach, Torleif Thedéen made "Cello Suite No. 1 in G Major, BWV 1007: I. Prelude" available on May 31, 2000. The duration of Cello Suite No. 1 in G Major, BWV 1007: I. Prelude is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Cello Suite No. 1 in G Major, BWV 1007: I. Prelude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 36 in Bach, J.S.: 6 Suites for Solo Cello, Bwv 1007-1012 by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Cello Suite No. 1 in G Major, BWV 1007: I. Prelude is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Cello Suite No. 1 in G Major, BWV 1007: I. Prelude by Johann Sebastian Bach, Torleif Thedéen is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata No. 1: III. Largo | Alfred Schnittke, Torleif Thedéen, Roland Pöntinen | G Major | 0 | 9B | 80 BPM | ||
Giuseppe Tornatore Suite: Main Theme from "Malena" | Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta | C Major | 2 | 8B | 94 BPM | ||
Symphony No. 40 in G Minor, KV. 550: I. Molto allegro | SWF Symphony Orchestra Baden-Baden | G Minor | 2 | 6A | 105 BPM | ||
14 Songs, Op. 34: Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Maria Kliegel, Raymund Havenith | E Minor | 1 | 9A | 80 BPM | ||
Partita No. 3 in A Minor, BWV 827: I. Fantasia | Johann Sebastian Bach, Martin Helmchen | E♭ Minor | 3 | 2A | 176 BPM | ||
Chopin: Waltz In D Flat, Op. 64/1, "Minuet" | London Festival Orchestra | D♭ Major | 1 | 3B | 111 BPM | ||
Montero: Adagio (Improvisation after Giazotto's "Adagio of Albinoni") | Gabriela Montero, Tomaso Albinoni | B Minor | 0 | 10A | 106 BPM | ||
Johann Sebastian Bach: Praeludium I C-Dur BWV 846 | Květa Novotná | C Major | 1 | 8B | 103 BPM | ||
Valse in B Major | Benjamin Britten, Matthew Jones, Annabel Thwaite | B Major | 0 | 1B | 93 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM |
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