Amor Artis Chorale's 'Mass in C Minor, "The Great," K. 427: VIII. Jesu Christe' came out on April 27, 2004. With Mass in C Minor, "The Great," K. 427: VIII. Jesu Christe being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in English Chamber Orchestra, Johannes Somary's "Mozart: Sacred Choral Masterpieces" album is number 8 out of 25. Mass in C Minor, "The Great," K. 427: VIII. Jesu Christe is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in C Minor, "The Great," K. 427: VIII. Jesu Christe by Amor Artis Chorale to be Lento (slowly) because the track has a tempo of 58 BPM, a half-time of 29BPM, and a double-time of 116 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Così fan tutte, K.588, Act I: Aria. "Come scoglio immoto resta" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Stabat Mater, P. 77: III. O quam tristis | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Missa Sancti Spiritus, ZWV 4: Sanctus | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Grande Messe des Morts: IV. Introitus: Exaudi orationem meam - Largo | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Minor | 1 | 4A | 82 BPM | ||
Languet anima mea BWV deest 1006: V. Alleluja | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | D♭ Minor | 2 | 12A | 120 BPM | ||
Mass in C Minor, "The Great," K. 427: VI. Qui tollis | Amor Artis Chorale | C Major | 2 | 8B | 58 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Domine Jesu Christe | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | G Minor | 1 | 6A | 102 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 1. Sanctus, Dominus Deus | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Helen Charlston, Daniel Johannsen, Peter Van Heyghen | B♭ Minor | 2 | 3A | 77 BPM | ||
De Toverfluit, K. 620: De Begrafenis | Wolfgang Amadeus Mozart, Frank Groothof | E♭ Major | 2 | 5B | 65 BPM | ||
Israel in Egypt, HWV 54: Part II: He gave them hailstones for rain (Chorus) | George Frideric Handel, Rosemary Joshua, Atzuko Suzuki, Gerhild Romberger, Kobie Van Rensburg, Simon Pauly, Thomas Hamberger, Harald Hoeren, Christoph Lehmann, Max Hanft, Bavarian Radio Chorus, Concerto Köln, Peter Dijkstra | B Major | 4 | 1B | 111 BPM |
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