"A tender shoot: A Tender Shoot" by Otto Goldschmidt, Choir of King's College, Cambridge, Daniel Hyde was released on October 15, 2021. The duration of A tender shoot: A Tender Shoot is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. A tender shoot: A Tender Shoot's duration is considered a little bit shorter than the average duration of a typical track. Since Otto Goldschmidt: A tender shoot only contains only one song in the album, we like to consider this song as a single. A tender shoot: A Tender Shoot is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A tender shoot: A Tender Shoot by Otto Goldschmidt, Choir of King's College, Cambridge, Daniel Hyde having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat: II. Shall I Rejoice (Version for Full Orchestra) | Taylor Scott Davis, VOCES8, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith | G Major | 1 | 9B | 69 BPM | ||
Bach, J.S.: Weihnachtsoratorium, BWV 248, Part 1: "Er ist auf Erden kommen arm" (Soprano, Bass) | Johann Sebastian Bach, Elly Ameling, Dame Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Philip Ledger | G Major | 0 | 9B | 68 BPM | ||
A Spotless Rose | Herbert Howells, The King's Singers | G Major | 0 | 9B | 175 BPM | ||
Nicolai: Wachet auf, ruft uns die Stimme (Sung in English, Based on Harmonisation of J. S. Bach's Chorale "Gloria sei dir gesungen" from Cantata BWV 140) | Philipp Nicolai, Choir of King's College, Cambridge, Adrian Partington, Philip Ledger | D Major | 2 | 10B | 63 BPM | ||
The 3 Kings: The Three Kings | Healey Willan, Elora Festival Singers, Noel Edison | D Major | 1 | 10B | 79 BPM | ||
Good King Wenceslas (arr. L. Woodruff) | Traditional, Louis Woodruff, Westminster Choir, New Jersey Symphony Orchestra, Philadelphia Concerto Soloists, members, Joseph Flummerfelt | A Major | 1 | 11B | 106 BPM | ||
Angels We Have Heard | The Oxford Trinity Choir | F Major | 2 | 7B | 81 BPM | ||
Panis angelicus | César Franck, Stephen Cleobury, Choir of King's College, Cambridge | A Major | 2 | 11B | 77 BPM | ||
Vivaldi: Gloria in D Major, RV 589: VIII. Domine Deus, Agnus Dei | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Michael Chance, Stephen Cleobury | D♭ Minor | 0 | 12A | 76 BPM | ||
Messiah, HWV 56 (1992 - Remaster), Part 1: But who may abide? (alto air: Larghetto - Prestissimo) | George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks | D Minor | 2 | 7A | 89 BPM |
Section: 0.6330406665802002
End: 0.6392560005187988